“A good idea,” Brainard agreed. “Come home with me. My man usually has something ready for me at this time.”
He felt that something more vital than a discussion of Art and Nature was impending and thought that his own house would be a better place for an animated interview than a public café. So the four picked their way in the gloom among the bulky properties of The Stolen Bonds to the stage exit and there found a cab, which carried them quickly to the little house in Gramercy Park. Miss Walters did not open her mouth during the ride; Hollinger and Farson maintained a factitious conversation on politics, and the contrasts between San Francisco and New York. The fight-trust man ridiculed “progressivism,” which was just then coming into vogue, shrewdly pointing out that it merely cloaked the aspirations of “the little fellows” to “get big Capital,” and praised California as the only place for an American to live in. From time to time Brainard eyed the actress from his corner of the cab, wondering what her relations with his versatile acquaintance might be. She did not seem interested in the conversation and stared steadily into the street.
There were bottles and cold meats on the table in the dining room as Brainard had promised. Farson discovered in the pantry the ingredients for a hot dish, and Hollinger showed himself to be an expert in this sort of an impromptu feast. The three men were soon busy with chafing dish and corkscrew in a comradely way, but Miss Walters, refusing to lay aside her long fur coat and hat, sauntered about the cheerful room, examining carefully the pictures and prints upon the walls, the furniture and appointments, which though not especially luxurious were thoroughly comfortable.
“Is this your house?” she asked her host point blank, and when he nodded she remarked:
“A pretty cozy sort of place.”
“It is comfortable,” Brainard agreed, “and very convenient. I can’t stand hotels,” he added by way of excuse.
“Some of us have to stand ’em and be mighty thankful when they’re fit to live in.”
Not having any appropriate reply to this remark, Brainard urged the actress to lay aside her wraps and sit down before the fire, which he had stirred into a blaze. She grudgingly unbuttoned her coat and sat on the edge of the large chair he pushed to the hearth, stretching forth her worn shoes to the warmth, and hitching up her skirt in a slightly vulgar manner.
When Hollinger announced that his dish was ready, the four drew up at the table and had supper, which, thanks to Farson and the fight-trust man, was lively enough. They discussed theatrical matters, especially the Danish play on which the People’s had come to grief. Hollinger maintained that the trouble with the play was that it was neither moral nor immoral enough. It was simply too much like life. “If you are going in for vice, you must paint it red,” he pronounced. The leading lady listened and taciturnly ate her supper. Afterwards she accepted a cigarette and turned again to the fire. Brainard searched his brain for a topic that might interest her and finally asked:
“How long have you been on the stage, Miss Walters?”