Instead, Horatio sat glumly at the table reading the want columns of the morning paper, down and up, and then as the morning wore on he silently departed for the city—"to look for something." Hopeless task, when the streets were filled with men out of work, and businesses everywhere were closing down and turning off old employees. Milly, watching Horatio reach gropingly for his hat and coat, like a stricken animal, realized that her father was no longer young and brave. He had passed fifty,—the terrible deadline in modern industry. "Nobody wants an old dog, any way," he said to his mother forlornly.

Then Milly was almost sorry for what she had done. But it was not really her fault, she still thought.

It was a mournful experience, this, of having a grown man—the one male of the family—sitting listlessly about the house of a morning and going forth aimlessly at irregular times, only to return before he should be expected. The habit of her life, as it had been the habit of Horatio's, was to have the male sally forth early from the domestic hearth and leave it free to the women of the family for the entire day.... Usually optimistic to a fault, with a profound conviction that things must come right of themselves somehow, Milly began to doubt and see dark visions of the family future. What if her father should be unable to find another place—any sort of work—and should come to hang about the house always, getting seedier and sadder, to be supported by her feeble efforts? Milly refused to contemplate the picture.

One day her grandmother asked money from Milly. The old lady was a grim little nemesis for the girl these days,—a living embodiment of "See what you have done," though never for a moment would Milly admit that she was responsible for the accumulation of disaster. It should be said in behalf of Grandma Ridge that now the blow of fate had fallen, which she had so persistently predicted for four long years, she set her lips in grim puritan silence and did that which must be done without reproach.

Somehow she found the money for the rent from month to month and gave Horatio his carfare and lunch money each morning. But she came to Milly for money to buy food, and Milly gave it generously although she owed all she earned and much more. But food came before bills. If it hadn't been for Eleanor Kemp's luxurious luncheons, the girl would often have gone hungry.... And through it all she never took refuge in tears. "What's the use?" she said.


It was during the darkest of these days that a new turn in Milly's fate came unexpectedly. She had been to a Sunday luncheon at the Nortons, and was walking back along the Drive, thinking a little sadly that even her old pals had invited her only at the last moment, "to fill in." She was no more any sort of social "card." She was revolving this and other dreary thoughts in her worried mind when she heard her name,—"Miss Ridge—I say, Miss Ridge!"

She turned to meet the beaming face of old Christian Becker, the editor-proprietor of the Morning Star, who was hurrying towards her as fast as his short, fat person would permit him. As he came along he raised his shiny silk hat above his bald head, and his broad face broke into a larger smile than was its wont. Becker was an amusing character, tempting to set before the reader, but as he has to do only incidentally with Milly Ridge it cannot be. Enough to say that after forty years of hard struggle in the land of his adoption, he had preserved the virtues of a simple countryman and the heart of a good-natured boy. Every one in the city knew Christian Becker; every one laughed and growled at his newspaper,—the God of his heart.

"Thought it must be you," he gasped. "Never forget how a pretty woman walks!" (How does she walk? Milly wondered.) "How are you, Miss Ridge? Haven't seen you for some time—not since that swell dinner at the Bowman place, d'ye remember?"

Milly remembered very well,—the apex moment of her career hitherto.