"Now's about the time to build. I've owned the property ever since the slump in real estate right after the fair. Well, I want an architect on my own account! I suppose I could go to one of those Jews who sell their dinky little blue prints by the yard. Most of the flat buildings hereabouts come that way. But I want something swell. That's going to be a fine section of the city soon, and looks count in a building, as elsewhere."
Hart laughed at this cordial testimony to his art.
"There's your boss, Wright. But he's too high-toned for me,—wouldn't look at anything that toted up less than the six figures. And I guess he don't do much designing himself. He leaves that to you young fellows, don't he?"
Hart could see, now, the idea that was in the contractor's mind, and his interest grew. They pulled up near the south corner of the Park, beside some vacant land. It was, as Graves said, a very favorable spot for a showy apartment building.
"I want something real handsome," the contractor continued. "It'll be a high-priced building. And I think you are the man to do it."
Graves brought this out like a shot.
"Why, I should like to think of it," the architect began conventionally, not sure what he ought to say.
"Yes, you're the man. I saw the plans for that Aurora church one day while I was waiting to talk with Mr. Wright, and I said to myself then, 'There's the man to draw my plans when I get ready to build. The feller that designed that church has got something out of the ordinary in him! He's got style!'"
Praise, even from the mob, is honey to the artist. Jackson instinctively thought better of the self-confident contractor, and decided that he was a bluff, honest man,—common, but well meaning.
"Well, what do you say, Mr. Hart?"