Yours sincerely,
"Ruby Chepstow."
It was Wednesday when Isaacson read, and re-read, this note. He regretted the days that must intervene before the Sunday came. For he feared to repent his betrayal. And the note did not banish this fear. More than once he did repent. Then he and Nigel met and again he gave conscious help to his heart. He did not speak to Nigel of the projected visit, and Nigel did not say anything more about Mrs. Chepstow. Isaacson wondered at this reserve, which seemed to him unnatural in Nigel. More than once he found himself thinking that Nigel regretted what he had said about the possibility of Mrs. Chepstow visiting Egypt. But of this he could not be sure. On Sunday, at a few minutes past five, he arrived at the Savoy, and was taken to Mrs. Chepstow's room.
The autumn darkness had closed over London, and when he came into the room, which was empty, the curtains were drawn, the light shone, a fire was blazing on the hearth. Not far from it was placed a tea-table, close to a big sofa which stood out at right angles from the wall.
There were quantities of white carnations in vases on the mantel-piece, on the writing-table, and on the top of the rosewood piano. The piano was shut, and no "Gerontius" was visible.
Meyer Isaacson stood for a moment looking round, feeling the atmosphere of this room, or at least trying to feel it. In the summer had it not seemed a little lonely, a little dreary, a chamber to escape from, despite its comfort and pretty colours? Now it was bright, cosy, even hopeful. Yes, he breathed a hopeful atmosphere.
A door clicked. Mrs. Chepstow came in.
She wore a rose-coloured dress, cut very high at the throat, with tight sleeves that came partly over her hands, emphasizing their attractive delicacy. The dress was very plainly made and seemed moulded to her beautiful figure. She had no hat on, but Isaacson had never before been so much struck by her height. As she came in, she looked immensely tall. And there was some marked change in her appearance. For an instant he did not know what it was. Then he saw that she had given to her cheeks an ethereal flush of red. This altered her extraordinarily. It made her look younger, more brilliant, but also much less refined. She smiled gaily as she took his hand. She enveloped him at once with a definite cheerfulness which came to him as a shock. As she held his hand, she touched the bell. Then she drew him down on the sofa, with a sort of coaxing cordiality.
"This shall be better than Bank Holiday," she said. "I know you pitied me then. You wondered how I could bear it. Now I've shut out the river. I'm glad you never came again till I could have the lights and the fire. I love the English winters, don't you, because one has to do such delicious things to keep all thought of them out. Now, in the hot places abroad, that people are always raving about, all the year round one can never have a room like this, an hour like this by a clear fire, with thick curtains drawn—and a friend."
As she said the last three words, her voice had a really beautiful sound in it, and a sound that was surely beautiful because of some moral quality it contained or suggested. More than a whole essay of Emerson's did this mere sound suggest friendship. The leaves of the book of this woman's attractions were being turned one by one for Isaacson. And of all her attractions her voice perhaps was the greatest.