Baroudi was dressed in Arab costume. His head was covered with a white turban spangled with gold, his face was framed in snowy white, and his great neck was hidden by drapery. He wore a kuftán of striped and flowered silk with long sleeves, fastened round his waist with lengths of muslin. Over this was a robe of scarlet cloth. His legs were bare of socks, and on his feet were native slippers of scarlet morocco leather. In his left hand he held an immensely long pipe with an ivory mouthpiece.
Mrs. Armine looked from him to his tent, to the thick, bright-coloured silks which entirely concealed the canvas walls, to the magnificent carpets which blotted out the desert sands, to the great hanging lamp of silver, which was fastened by a silver chain to the peaked roof, to the masses of silk cushions of various hues that were strewn about the floor. Once again her nostrils drew in the faint but heavy perfume which she always associated with Baroudi, and now with the whole of the East, and with all Eastern things.
That racing dromedary had surely carried her through the night from one world to another. Suddenly she felt tired; she felt that she longed to lie down upon those great silk cushions, between those coloured walls of silk that shut out the windy darkness and the sad spaces of the sands, and to stay there for a long time. The courtesan's lazy, luxurious instinct drowsed within her soul, and her whole body responded to this perfumed warmth, to this atmosphere of riches created by the man before her in the core of desolation.
She sighed, and looked at his eyes.
"And how is Mr. Armeen?" he said, with the faintly ironic inflection which she had noticed in their first interview alone. "Has he gone out after the jackal?"
What his intention was she did not know, but he could not have said anything to her at that moment that would have struck more rudely upon her sensuous pleasure in the change one step had brought her. His words instantly put before her the necessity for going presently, very soon, back to the camp and Nigel, and they woke up in her the secret woman, the woman who still retained the instincts of a lady. This lady realized, almost as Eve realized her nakedness, the humiliation of that rush through the night from one camp to another, the humiliation that lay in the fact that it was she who sought the man, that he had her brought to him, did not trouble to come to her. She reddened beneath the paint on her face, turned swiftly round, bent down, and tried to undo the canvas flap of the tent. Her intention was to go out, to call Ibrahim, to leave the camp at once. But her hands trembled and she could not undo the canvas. Still bending, she struggled with it. She heard no movement behind her. Was Baroudi calmly waiting for her to go? Some one must have pegged the flap down after she had come in. She would have to kneel down on the carpet to get at the fastenings. It seemed to her, in her nervous anger and excitement, that to kneel in that tent would be a physical sign of humiliation; nevertheless, after an instant of hesitation, she sank to the ground and pushed her hands forcibly under the canvas, feeling almost frantically for the ropes. She grasped something, a rope, a peg—she did not know what—and pulled and tore at it with all her force.
Just then the night wind, which blew waywardly over the sands, now rising in a gust that was almost fierce, now dying away into a calm that was almost complete, failed suddenly, and she heard a frail sound which, by its very frailty, engaged all her attention. It was a reiteration of the sound which she thought she had heard as she waited outside the tent, and this time she was no longer in doubt. It was the cry of an instrument of music, a stringed instrument of some kind, plucked by demure fingers. The cry was repeated. A whimsical Eastern melody, very delicate and pathetic, crept to her from without.
It suggested to her—women.
Her hands became inert, and her fingers dropped from the tent-pegs. She thought of the other tent, of the smaller tent she had seen, standing apart near Baroudi's. Who was living in that tent?
The melody went on, running a wayward course. It might almost be a bird's song softly trilled in some desolate place of the sands, but—