About seven o’clock that evening Lady Sellingworth was sitting alone in her drawing-room. Sir Seymour Portman had been with her for an hour and had left her at half past six, believing that she was going to spend one of her usual solitary evenings, probably with a book by the fire. He would gladly, even thankfully, have stayed to keep her company. But no suggestion of that kind had been made to him. And, beyond calling regularly at the hour when he believed that he was welcome, he never pressed his company upon his dearly loved friend. Even in his great affection he preserved a certain ceremoniousness. Even in his love he never took a liberty. In modern days he still held to the reserve of the very great gentleman, old-fashioned perhaps now, but nevertheless precious in his sight.
He would have been not a little surprised had he been able to see his Adela at this moment.
She had changed the plain black gown in which she had received him, and was dressed in dark red velvet. She wore a black hat. Two big rubies gleamed in her ears, and there was another, surrounded with diamonds, at her throat. Her gown was trimmed with an edging of some dark fur. As usual her hands were covered by loose white gloves. She was shod for walking out. Her eyebrows had been carefully darkened. There was some artificial red on her lips. Her white hair was fluffed out under the hat brim, and looked very thick and vital. Her white skin was smooth and even. Her eyes shone, as Cecile had just told her, “comme deux lampes.” She was a striking figure as she sat on her sofa very upright near a lamp, holding a book in her hand. She even looked very handsome and, of course, very distinguished. But her face was anxious, her bright eyes were uneasy, and there was a perceptible stamp of artificiality upon her. A woman would have noticed it instantly. Even an observant man would probably not have missed it.
She seemed to be reading at first, and presently there was a faint rustle. She had turned a page. But soon she put the book down in her lap, still keeping her hand on it, and sat looking about the room. The clock chimed seven. She moved and sighed. Then again she sat very still like one listening. After a while she lifted the book, glanced at it again, and then put it down, got up and went to the fireplace. She turned on the lights there, leaned forward and looked into the glass. Her face became stern with intentness when she did that. She put up a hand to her hair, turned her head a little to one side, smiled faintly, then a little more, and looked grave, then earnest. Finally she put both her hands on the mantelpiece, grasped it and stared into the glass.
In that moment she was feeling afraid.
She had arranged to dine with Alick Craven once more at the Bella Napoli. He would come for her in a few minutes. She was wondering very much how exactly she would appear to him, how old, how good-looking—or plain. She had tried, with Cecile’s help, to look her very best. Cecile had declared the result was a success. “Miladi est merveilleusement belle ce soir, mais vraiment belle!” But a maid, of course, would not scruple to lie about such a matter. One could not depend on a maid’s word. She was in love with Alick Craven, desperately in love as only an elderly woman can be with a man much younger than herself. And that love made her afraid.
There was a tiny mole on her face, near the mouth. She wished she had had it removed in Geneva. Why had not she had that done? No doubt because she was so accustomed to it that for years she had never thought of it, had never even seen it. Now suddenly she saw it, and it seemed to her noticeable, an ugly blemish. Anyone who looked at her must surely look at it, think of it. For a moment she felt desperate about it, and her whole body was suddenly hot as if a flame went over it. Then the mocking look came into her eyes. She was trying to laugh at herself.
“He doesn’t think of me in that way! No man will ever think of me in that way again!”
But the mocking expression died out and the fear did not go. She was afraid of Craven’s young eyes. It was terrible to feel so humble, so full of trembling diffidence. Oh, for a moment of the conquering sensation she had sometimes known in the years long ago when men had made her aware of her power!
Since their meeting in Dindie Ackroyde’s drawing-room her friendship with Craven, renewed, had grown into something like intimacy. But there was an uneasiness in it which she felt acutely. There were humbug and fear in this friendship. Because she was desperately in love she was forced to be insincere with Craven. Haunted perpetually by the fear of losing what she had, the liking of a man who was not, and could never be, in love with her, she had to give Craven the impression that she was beyond the age of love, that the sensations of love were dead in her beyond hope of resurrection. She had to play at detachment when her one desire was to absorb and to be absorbed, had to sustain an appearance of physical coldness while she was burning with physical fever. She had to create a false atmosphere about her, and to do it so cleverly that it seemed absolutely genuine, the emanation of her personality in unstudied naturalness.