The musicians were beginning the melody of which Italians never seem to weary. Lady Sellingworth listened to it as she looked down the long and narrow room now crowded with people. Beryl Van Tuyn was standing by a table near the wall. Lady Sellingworth saw her in profile. Her companion stood beside her with his back to the room. Lady Sellingworth noticed that he was tall with an athletic figure, that he was broad-shouldered, that his head was covered with thickly growing brown hair. He gave her the impression of a strong and good-looking man. She gazed at him with an interest she scarcely understood at that moment, an interest surely more intense than even the gossip she had heard about him warranted.

He helped Miss Van Tuyn out of her coat, then took off his, and went to hang them on a stand against the wall. In doing this he turned, and for a moment showed his profile to Lady Sellingworth. She saw the line of his brown face, his arm raised, his head slightly thrown back.

So that was Nicolas Arabian, the man all the women in the Coombe set were gossiping about! She could not see him very well. He was rather a long way off, and two moving people, a waitress carrying food, an Italian man going to speak to a gesticulating friend, intervened and shut him out from her sight while he was still arranging the coats. But there was something in his profile, something in his movement and in the carriage of his head which seemed familiar to her. And she drew her brows together, wondering. Craven spoke to her through the music. She looked at him, answered him. Then once more she glanced down the room. Beryl and Arabian had sat down. Beryl was facing her. Arabian was at the side. Lady Sellingworth still saw him in profile. He was talking to the waitress.

“I am sure I know that man’s face!” Lady Sellingworth thought.

And she expressed her thought to Craven.

“If that is Nicolas Arabian I think I must have seen him about London,” she said. “His side face seems familiar to me somehow.”

Why would not Beryl look at her?

“I wonder whether Beryl saw me when she came in,” continued Lady Sellingworth. “She saw you, of course.”

“Yes, she saw me.”

From the sound of Craven’s voice, from the constraint of his manner, Lady Sellingworth gathered the knowledge that her evening was spoilt. A few minutes before she had been quivering with anxiety, had been struggling to conquer the melancholy which, she knew, put her at a disadvantage with Craven, had been seized with despair as she compared her fate with his. Now she looked back at that beginning of the evening and thought of it as happy. For Craven had seemed contented then. Now he was obviously restless, ill at ease. He never looked down the room. He devoted himself to her. He talked even more than usual. But she was aware of effort in it all, and knew that his thoughts were with Beryl Van Tuyn and the stranger who seemed vaguely familiar to her.