Her vanity shuddered. She realized strongly, perhaps, for the first time, that people were just beginning to think of her as a woman inevitably on the wane. She looked into her mirror, stared into it, and tried to consider herself impartially. She was certainly very good-looking. Her tall figure had never been made ugly by fatness. She was not the victim of what is sometimes called “the elderly spread.” But although she was slim, considering her great height, she thought that she discerned signs of a thickening tendency. She must take that in time. Her figure must not be allowed to degenerate. And her face?

She was so accustomed to her face, and so accustomed to its being a beautiful face, that it was difficult to her to regard it with cold impartiality. But she tried to; tried to look at it as she might have looked at the face of another woman, of say, a rival beauty.

What age did the face seem to be? If she had seen it passing by in the street what age would she have guessed its owner to be? Something in the thirties; but perhaps in the late thirties? She wasn’t quite certain about it. Really it is so difficult to look at yourself quite impartially. And she did not wish to fall into exaggeration, to be hypercritical. She wished to be strictly reasonable, to see herself exactly as she was. The eyes were brilliant, but did they look like young eyes?

No, they didn’t. And yet they were full of light. There was nothing faded about them. But somehow at that moment they looked terribly experienced. With a conscious effort she tried to change their expression, to make them look less full of knowledge. But it seemed to her that she failed utterly. No, they were not young eyes; they never could be young eyes. The long accustomed woman of the world was mirrored in them with her many experiences. They were beautiful in their way, but their way had nothing to do with youth. And near the eyes, very near, there were definite traces of maturity. A few, as yet very faint, lines showed; and there were shadows; and there was—she could only call it to herself “a slightly hollow look,” which she had never observed in any girl, or, so far as she remembered, in any young woman.

She gazed at her mouth and then at her throat. Both showed signs of age; the throat especially, she thought. The lips were fine, finely curved, voluptuous. But they were somehow not fresh lips. In some mysterious way, which really she could not define, life had marked them as mature. There were a couple of little furrows in the throat and there was also a slightly “drawn” look on each side just below the line of the jaw. By the temples also, close to the hair, there was something which did not look young.

Lady Sellingworth felt very cold. At that moment she probably exaggerated in her mind the effect of her appearance. She plunged down into pessimism about herself. A sort of desperation came upon her. Underneath all her conquering charm, hidden away like a trembling bird under depths of green leaves, there was a secret diffidence of which she had occasionally been conscious during her life. It had no doubt been born with her, had lived in her as long as she had lived. Very few people knew of its existence. But she knew, had known of it as long as she remembered. Now that diffidence seemed to hold her with talons, to press its beak into her heart.

She felt that she could not face the world with any assurance if she lost her beauty. She had charm, cleverness, rank, position, money. She knew all her advantages. But at that moment she seemed to be confronting penury. And as she continued to look into the mirror ugliness seemed to grow in the woman she saw like a spreading disease till she felt that she would be frightened to show herself to anyone, and wished she could hide from everyone who knew her.

That absurdly morbid fit passed, of course. It could not continue, except in a woman who was physically ill, and Lady Sellingworth was quite well. But it left its mark in her mind. From that day she began to take intense trouble with herself. Hitherto she had been inclined to trust her own beauty. She had relied on it almost instinctively. And that strange, hidden diffidence, when it had manifested itself, had manifested itself in connexion with social things, the success of a dinner, or with things of the mind, the success or non-success of a conversation with a clever man. She had never spoken of it to anyone, for she had always been more or less ashamed of it, and had brought silence to her aid in the endeavour to stamp it out lest it should impair her power over others. But now it was quickened within her. It grew, and in its growth tortured her.

“How do you manage it?”

That not very kind question of the friend who had compared her to an Indian summer remained with Lady Sellingworth. Since she had considered herself in the mirror she had realized that she had attained that critical period in a beauty’s life when she must begin incessantly to manage to continue a beauty. Hitherto, beyond always dressing perfectly and taking care to be properly “turned out,” she had done less to herself than many women habitually do. Now she swung to the opposite extreme. There is no need to describe what she did. She did, or had done to her, all that she considered necessary, and she considered that a very great deal was necessary.