"Do you read much? What do you read? Ah! such and such books. Yes, very interesting. Do you know this book which has struck me greatly? No? Allow me to lend it to you. Good-bye."
And the patient departed, ignorant that he had received a pill for his soul from the priest as well as a pill for his body from the doctor.
In appearance Dr. Levillier was small, slight, and delicate looking. His complexion was clear and white. His eyes were blue. What hair he possessed was rather soft, fluffy and reddish, with a dash of light brown in it. He wore neither beard nor moustache, was always very neatly and simply dressed, and was remarkable for his polished boots, said to be the most perfectly varnished in London. Although he must have been nearly fifty-five, he had never married, and some people declared that he had the intention of starting a new "order" of medical celibates, who would be father-confessors as well as physicians, and who would pray for the souls of their patients after tending their bodily needs.
For some years Valentine had been very intimate with the doctor, whom he admired for his intellect and loved for his nature. So now he resolved to lay the case of the sittings with Julian before him and hear his opinion of the matter. In all their conversations Valentine could not remember that they had ever discussed spiritualism or occultism. As a rule, they talked about books, painting, or music, of which Dr. Levillier was a devoted lover. Valentine's note asked the doctor to dine with him that night at his club. The messenger brought back an acceptance.
They dined at a corner table and the room was rather empty. A few men chatted desultorily of burlesques, horses, the legs of actresses, the chances of politics. The waiters moved quietly about with pathetic masks of satisfied servitude. Valentine and the doctor conversed earnestly.
At first they spoke of a new symphony composed by a daring young Frenchman, who had striven to reproduce vices in notes and to summon up visions of things damnable by harmonic progressions which frequently defied the laws of harmony. Levillier gently condemned him for putting a great art to a small and degraded use.
"His very success makes me regret the waste of his time more deeply, Cresswell," he said. "He is a marvellous painter in sound. He has improved upon Berlioz, if it is improvement to cry sin with a clearer, more determinate voice. Think what a heaven that man could reproduce in music."
"Because he has reproduced a hell. But do you think that follows? Can the man who wallows with force and originality soar with force and originality too?"
"I believe he could learn to. The main thing is to possess genius in any form, the genius to imagine, to construct, to present things that seize upon the minds of men. But to possess genius is only a beginning. We have to train it, to lead it, to coax it even, until it learns to be obedient."
"Genius and obedience. Don't the two terms quarrel?"