“I love you for that. Oh, Rosamund, I love you for so many things!”
He got up and stood by the fire, turning his back to her for a moment. When he swung round his face was earnest but he looked calmer. She saw that he was making a strong effort to hold himself in, that he was reaching out after self-control.
“I can’t tell you all the things I love you for,” he said, “but your independence of spirit frightens me. From the very first, from that evening when I saw you in the omnibus at the Milan Station over a year ago, I felt your independence.”
“Did I manifest it in the omnibus to poor Beattie and my guardian?” she asked, smiling, and in a lighter tone.
“I don’t know,” he said gravely. “But when I saw you the same evening walking with your sister in the public garden I felt it more strongly. Even the way you held your head and moved—you reminded me of the maidens of the Porch on the Acropolis. I connected you with Greece and all my—my dreams of Greece.”
“Perhaps if you hadn’t just come from Greece—”
“Wasn’t it strange,” he said, interrupting her but quite unconscious that he did so, “that almost the first words I heard you speak were about Greece? You were telling your sister abut the Greek divers who come to Portofino to find coral under the sea. I was sitting alone in the garden, and you passed and I heard just a few words. They made me think of the first Greek Island I ever saw, rising out of the sunset as I voyaged from Constantinople to the Piraeus. It was wonderfully beautiful and wonderfully calm. It was like a herald of all the beauty and purity I found in Greece. It was—like you.”
“How you hated Constantinople!” she said. “I remember you denouncing its noise and its dirt, and the mongrel horrors of Pera, to my guardian in the hotel where we made friends. And he put in a plea for Stamboul.”
“Yes, I exaggerated. But Constantinople stood to me for all the uproar of life, and Greece for the calm and beauty and happiness, the great Sanity of the true happiness.”
He looked at her with yearning in his dark eyes.