"Stick the cloth on Tito, and put something in the pannier. Al mare! Al mare!"

The boy's warning rang in deaf ears. For Maurice really meant what he said. He was reckless, perhaps, but he was going to wrong no one, neither Salvatore, nor Hermione, nor Maddalena. The coming of Artois drove him into the arms of pleasure, but it would never drive him into the arms of sin. For it was surely no sin to make a little love in this land of the sun, to touch a girl's hand, to snatch a kiss sometimes from the soft lips of a girl, from whom he would never ask anything more, whatever leaping desire might prompt him.

And Salvatore was always at hand. He seldom put to sea in these days unless Maurice went with him in the boat. His greedy eyes shone with a light of satisfaction when he saw Tito coming along the dusty white road from Isola Bella, and at night, when he crossed himself superstitiously before Maria Addolorata, he murmured a prayer that more strangers might be wafted to his "Paese," many strangers with money in their pockets and folly in their hearts. Then let the sea be empty of fish and the wind of the storm break up his boat—it would not matter. He would still live well. He might even at the last have money in the bank at Marechiaro, houses in the village, a larger wine-shop than Oreste in the Corso.

But he kept his small eyes wide open and seldom let Maddalena be long alone with the forestiere, and this supervision began to irritate Maurice, to make him at last feel hostile to Salvatore. He remembered Gaspare's words about the fisherman—"To him you are as nothing. But he likes your money"—and a longing to trick this fox of the sea, who wanted to take all and make no return, came to him.

"Why can one never be free in this world?" he thought, almost angrily. "Why must there always be some one on the watch to see what one is doing, to interfere with one's pleasure?"

He began presently almost to hate Salvatore, who evidently thought that Maurice was ready to wrong him, and who, nevertheless, grasped greedily at every soldo that came from the stranger's pocket, and touted perpetually for more.

His attitude was hideous. Maurice pretended not to notice it, and was careful to keep on the most friendly possible terms with him. But, while they acted their parts, the secret sense of enmity grew steadily in the two men, as things grow in the sun. When Maurice saw the fisherman, with a smiling, bird's face, coming to meet him as he climbed up through the trees to the sirens' house, he sometimes longed to strike him. And when Maurice went away with Gaspare in the night towards the white road where Tito, tied to a stake, was waiting to carry the empty pannier that had contained a supper up the mountain to the house of the priest, Salvatore stood handling his money, and murmuring:

"Maledetto straniero! Madonna! Ma io sono più birbante di Lei, mille volte più birbante, Dio mio!"

And he laughed as he went towards the sirens' house. It amused him to think that a stranger, an "Inglese," fancied that he could play with a Sicilian, who had never been "worsted," even by one of his own countrymen.