Then she turned away and walked slowly across the great sweep of sand towards the trees and was taken by their darkness. She heard again the liquid bubbling of the hidden waterfall, and was again companioned by the mystery of this desert Paradise, but it no longer whispered to her of peace for her. It murmured only its own personal peace and accentuated her own personal agony and struggle. All that it had been it still was, but all that she had been in it was changed. And she felt the full terror of Nature’s equanimity environing the fierce and tortured lives of men.
As she walked towards the deepest recesses of the garden along the winding tracks between the rills she had no sensation of approaching the hidden home of the Geni of the garden. Yet she remembered acutely all her first feelings there. Not one was forgotten. They returned to her like spectres stealing across the sand. They lurked like spectres among the dense masses of the trees. She strove not to see their pale shapes, not to hear their terrible voices. She strove to draw calm once more from this infinite calm of silently-growing things aspiring towards the sun. But with each step she took the torment in her heart increased. At last she came to the deeper darkness and the blanched sand, and saw pine needles strewed about her feet. Then she stood still, instinctively listening for a sound that would complete the magic of the garden and her own despair. She waited for it. She even felt, strangely, that she wanted, that she needed it—the sound of the flute of Larbi playing his amorous tune. But his flute to-day was silent. Had he fallen out of an old love and not yet found a new? or had he, perhaps, gone away? or was he dead? For a long time she stood there, thinking about Larbi. He and his flute and his love were mingled with her life in the desert. And she felt that she could not leave the desert without bidding them farewell.
But the silence lasted and she went on and came to the fumoir. She went into it at once and sat down. She was going to wait for Androvsky here.
Her mind was straying curiously to-day. Suddenly she found herself thinking of the fanatical religious performance she had seen with Hadj on the night when she had ridden out to watch the moon rise. She saw in imagination the bowing bodies, the foaming mouths, the glassy eyes of the young priests of the Sahara. She saw the spikes behind their eyeballs, the struggling scorpions descending into their throats, the flaming coals under their arm-pits, the nails driven into their heads. She heard them growling as they saw the glass, like hungry beasts at the sight of meat. And all this was to them religion. This madness was their conception of worship. A voice seemed to whisper to her: “And your madness?”
It was like the voice that whispered to Androvsky in the cemetery of El-Largani, “Come out with me into that world, that beautiful world which God made for men. Why do you reject it?”
For a moment she saw all religions, all the practices, the renunciations of the religions of the world, as varying forms of madness. She compared the self-denial of the monk with the fetish worship of the savage. And a wild thrill of something that was almost like joy rushed through her, the joy that sometimes comes to the unbelievers when they are about to commit some act which they feel would be contrary to God’s will if there were a God. It was a thrill of almost insolent human emancipation. The soul cried out: “I have no master. When I thought I had a master I was mad. Now I am sane.”
But it passed almost as it came, like a false thing slinking from the sunlight, and Domini bowed her head in the obscurity of Count Anteoni’s thinking-place and returned to her true self. That moment had been like the moment upon the tower when she saw below her the Jewess dancing upon the roof for the soldiers, a black speck settling for an instant upon whiteness, then carried away by a purifying wind. She knew that she would always be subject to such moments so long as she was a human being, that there would always be in her blood something that was self-willed. Otherwise, would she not be already in Paradise? She sat and prayed for strength in the battle of life, that could never be anything else but a battle.
At last something within her told her to look up, to look out through the window-space into the garden. She had not heard a step, but she knew that Androvsky was approaching, and, as she looked up, she prepared herself for a sight that would be terrible. She remembered his face when he came to bid her good-bye in the garden, and she feared to see his face now. But she schooled herself to be strong, for herself and for him.
He was near her on the path coming towards her. As she saw him she uttered a little cry and stood up. An immense surprise came to her, followed in a moment by an immense joy—the greatest joy, she thought, that she had ever experienced. For she looked on a face in which she saw for the first time a pale dawning of peace. There was sadness in it, there was awe, but there was a light of calm, such as sometimes settles upon the faces of men who have died quietly without agony or fear. And she felt fully, as she saw it, the rapture of having refused cowardice and grasped the hand of bravery. Directly afterwards there came to her a sensation of wonder that at this moment of their lives she and Androvsky should be capable of a feeling of joy, of peace. When the wonder passed it was as if she had seen God and knew for ever the meaning of His divine compensations.
Androvsky came to the doorway of the fumoir without looking up, stood still there—just where Count Anteoni had stood during his first interview with Domini—and said: