"One owes everything to oneself, and I also owe a great deal to other people—a great deal that I hope to live long enough never to repay. A debt of honour is one of the finest things in the world. The very name recalls a speech out of 'Guy Livingstone.' By the way, I sometimes wish that I had been born swart as he was. I should have pleased Miss Rhoda Broughton, and she is so deliciously prosaic. Is she not the woman who said that she was always inspired to a pun by the sight of a cancer hospital? or am I thinking of Helen Mathers? I can never tell them apart—their lack of style is so marvellously similar. Why do women always write in the present tense, Reggie? Is it because they have no past? To go about without a past, must be like going about without one's trousers. I should feel positively indecent."

"There is no such thing as indecency, Esmé, just as there are no such things as right and wrong. There are only art and imbecility. But how shall I prepare for my proposal? What did you do?"

"I did nothing. My wife proposed to me, and I refused her. Then she went and put up some things called banns, I believe. Afterwards she sent me a white waistcoat in a brown paper parcel, and told me to meet her at a certain church on a certain day. I declined. She came in a hired carriage—a thing like a large deep bath, with two enormously fat parti-coloured horses—to fetch me. To avoid a scene I went with her, and I understand that we were married. But the colour of the window behind the altar was so atrocious, and the design—of Herodias carrying about the head of John the Baptist on a dish—so inartistically true to life, that I could not possibly attend to the service."

"Poor Esmé," said Lord Reggie, in a tone charged with pathos, "I must trust in my intuitions, then?"

"That is like trusting in one's convictions, Reggie. For the sake of the stars do not be sensible. I would far rather see you lying in your grave. Trust rather in your emotions."

"But I have none about Lady Locke. How could you suppose so?"

"I never suppose. I leave that to the heads of departments when they are answering questions in the House. It is the privilege of incompetence to suppose. The artist will always know. But there is Lady Locke, Reggie, being sensible in the rose garden. What must the roses think of her? Go to her, Reggie, tell her that you do not love her, and will marry her. That is what a true woman loves to hear."

As Lord Reggie went away, walking very delicately, with his head drooping towards his left shoulder, and his hands dangling in a dilettante manner at his sides, Madame Valtesi appeared at the French window of the drawing-room, refusing to join Tommy in some boyish game. After a parleying, which she conducted in profile, she turned her full face round, and having shaken her tormentor off, she proceeded slowly towards Amarinth, with an expression of extreme and illimitable irritability.

"Children are more lacking in discernment than the beasts of the field," she said, as she came up to him. "That boy is actually vexed because I will not go and play at Tom Tiddler's Ground with him. He positively expected that I would be Tiddler! Tiddler! Did you ever hear of such a name? It sounds like one of Dickens' characters. He says that all you have to do is to run about! Give me the long chair, please. He has almost succeeded in making me feel like Tiddler. It is a dreadful sensation."

She fanned herself slowly and looked round.