And again he felt as if he were enveloped by a sadness that flowed from her.


CHAPTER XIX

Charmian and her husband went first to the Hôtel St. George at Mustapha Supérieur above Algiers. But they had no intention of remaining there for more than two or three weeks. Claude could not compose happily in a hotel. And they wished to be economical. As Claude had not yet given up the studio, they still had expenses in London. And the house in Kensington Square was only let on a six months' lease. They had no money to throw away.

During the first few days after their arrival Claude did not think of work. He tried to give himself up to the new impressions that crowded in upon him in Northern Africa. Charmian eagerly acted as cicerone. That spoiled things sometimes for Claude, but he did not care to say so to his wife. So he sent that secret to join the many secrets which, carefully kept from her, combined to make a sort of subterranean life running its course in the darkness of his soul.

In addition to being a cicerone Charmian was a woman full of purpose. And she was seldom able, perhaps indeed she feared, to forget this. The phantom of Madame Sennier, white-faced, red-haired, determined, haunted her. She and Claude were not as other people, who had come from England or elsewhere to Algiers. They had an "object." They must not waste their time. Claude was to be "steeped" in the atmosphere necessary for the production of his Algerian opera. Almost a little anxiously, certainly with a definiteness rather destructive, Charmian began the process of "steeping" her husband.

She thought that she concealed her intention from Claude. She had sufficient knowledge of his character to realize that he might be worried if he thought that he was being taken too firmly in hand. She honestly wished to be delicate with him, even to be very subtle. But she was so keenly, so incessantly alive to the reason of their coming to Africa, she was so determined that success should result from their coming, that purpose, as it were, oozed out of her. And Claude was sensitive. He felt it like a cloud gathering about him, involving him to his detriment. Sometimes he was on the edge of speaking of it to Charmian. Sometimes he was tempted to break violently away from all his precautions, to burst out from secrecy, and to liberate his soul.

But a voice within him held him back. It whispered: "It is too late now. You should have done it long ago when you were first married, when first she began to assert herself in your art life."

And he kept silence.

Perhaps if he had been thoroughly convinced of the nature of Charmian's love for him, he would even now have spoken. But he could not banish from him grievous doubts as to the quality of her affection.