Max Elliot began to talk to Sennier and Mrs. Shiffney. Susan Fleet went over to sit with them. And Charmian had an opportunity for conversation with Madame Sennier.
She secretly shrank from her, yet she longed to be more intimate with her, to learn something from her. She felt that the Frenchwoman was completely unscrupulous. She saw cruelty in those yellow eyes. The red mouth was hard as a bar of iron in the artificial white face. Madame Sennier moved in a sea of perfume. And even this perfume troubled and disgusted, yet half fascinated Charmian, suggesting to her knowledge that she did not possess, and that perhaps helped on the way of ambition. She felt like an ignorant child, and almost preposterously English, as she talked to Madame Sennier, who became voluble in reply. There was something meridional in her manner and her fluency. Charmian felt sure that Madame Sennier had risen out of depths about which she, Charmian, knew nothing. She wondered if this woman loved her husband, or only loved the genius in him which helped her to rise, which brought her wealth, influence, even, it seemed, a curious adoration. She wondered, too, if this woman had known the first Madame Sennier.
Presently Mrs. Shiffney got up. She was apt to be restless.
"May we go and look about outside?" she said.
"Of course. Shall I—"
"No, no. I see you are interested in each other. Two wives of geniuses! I don't want to spoil it. Come, Jacques, let us explore."
They went away to the court of the goldfish. Max Elliot followed them. As they went Madame Sennier fixed her eyes for a moment on her departing husband. In that moment Charmian found out something. Madame Sennier certainly cared for the man, as well as for the composer. Charmian fancied that love, that softness for the one, bred hatred, hardness, for many others, that it was an exclusive and almost terrible love. Now that she was alone with Madame Sennier, enclosed as it were in that strong perfume, she felt almost afraid of her. She was conscious of being with someone far cleverer than herself. And she realized what an effective weapon in certain hands is an absolute lack of scruple. It seemed to her as she sat and talked, about Paris, America, London, art, music, that this woman must have divined her secret and intense ambition. Those yellow eyes had surely looked into her soul, and knew that she had brought Claude to Algeria in order that some day he might come forth as the rival of Jacques Sennier. Almost she felt guilty. She made a strong effort, and turned the conversation to the subject of the Paradis Terrestre, expressing her enthusiasm for it.
Madame Sennier received the praises with an air of gracious indifference, as if her husband's opera were now so famous that it was scarcely worth while to talk about it. This carelessness accentuated brutally the difference between her position and Charmian's. And it stung Charmian into indiscretion. Something fiery and impetuous seemed to rise up in her, something that wanted to fight. She began to speak of her husband's talent.
Madame Sennier listened politely, as one who listens on a height to small voices stealing vaguely up from below. Charmian began to underline things. It was as if one of the voices from below became strident in the determination to be adequately heard, to make its due effect. Finally she was betrayed into saying:
"Of course we wives of composers are apt to be prejudiced."