She was a very civilized child of her age, and believed that she had a horror of melodrama, looking upon it as a degraded form of art, or artlessness, which pleased people whom she occasionally saw but would never know. But this evening some part of her almost desired it, not as a spectacle, but as something in which she could take an active part. In this town she felt adventurous. It was difficult to look at this crowd without thinking of violent lives and deeds of violence. It was difficult to look at Claude Heath without the desire to pay him back here with interest for a certain indifference.
"But I'm not really melodramatic," said Adelaide Shiffney to herself.
She could resent, but she was not a very good hater. She felt generally too affairée, too civilized to hate. In her heart she rather disliked Claude Heath as once she had rather liked him. He had had the impertinence and lack of taste to decline her friendship, tacitly, of course, but quite definitely. She had never been in love with him. If she had been she would have been more definite with him. But he had attracted her a good deal; and she always resented even the crossing of a whim. Something in his personality and something in his physique had appealed to her, a strangeness and height, an imaginativeness and remoteness which features and gesture often showed in despite of his intention. He was not like everybody. It would have been interesting to take him in hand. It had certainly been irritating to make no impression upon him. And now he was married and living in a delicious Arab nest with that foolish Charmian Mansfield. So Mrs. Shiffney called Charmian at that moment. Suddenly she felt rather melancholy and rather cross. She wanted to give somebody a slap. She put down her tea-cup, lit a cigarette, and drew her chair to the rail of the balcony.
Claude Heath was sipping his coffee. One long-fingered musical hand lay on his knee. His soft hat was tilted a little forward over the eyes that were watching the crowd. Probably he was thinking about his opera.
Mrs. Shiffney was incapable of Henriette's hard and bitter determination. Her love was not fastened irrevocably on any man. She wished that it was, or thought she did. Such a passion must give a new interest to life. Often she fancied she was in love; but the feeling passed, and she bemoaned its passing. Henriette was determined to keep a clear field for her composer. She was ready to be suspicious, to be jealous of every musical shadow. Mrs. Shiffney found herself wishing that she had Henriette's incentive as she looked at Claude Heath. She could not see his face quite clearly. Perhaps when she did—
That he should have married that silly Charmian Mansfield! Ever since then Mrs. Shiffney had resolved to wipe them both off her slate—gradually. Charmian had been right in her supposition. But now Mrs. Shiffney thought she was perhaps on the edge of something that might be more amusing than a mere wiping off the slate.
Of course Claude Heath and Gillier would be at dinner. It would be rather fun to see Claude's face when she walked in with Henriette and Max Elliot.
She got up and stood by the rail; and now she looked down on Claude with intention, willing that he should look up at her. Why should not she have the fun of seeing his surprise while she was alone? Why should she share with Henriette?
Without turning his eyes in her direction Claude rapped on his table with a piece of money, paid a waiter for his coffee, got up, made his way out of the café, and mingled with the crowd. He did not come toward the hotel, but turned up the street leading to the Governor's palace and disappeared. Mrs. Shiffney noticed an Arab in a blue jacket and a white burnous, who joined him as he left the café.
"Local color, I suppose," she murmured to herself. She wished she could go off like that in the strange and violent crowd, could be quite independent.