What a bore that strong instinct within him was, that instinct which kept him, as it were, moored in a sheltered cove when he might ride the great seas, and possibly with buoyant success! Perhaps he was merely a coward, a rejector of life's offerings.

Well, he had till Sunday.

Claude was a gentleman, but not of aristocratic birth. His people were Cornish, of an old and respected Cornish family, but quite unknown in the great world. They were very clannish, were quite satisfied with their position in their own county, were too simple and too well-bred to share any of the vulgar instincts and aspirations of the climber. Comfortably off, they had no aching desire to be richer than they were, to make any splash. The love of ostentation is not a Cornish vice. The Heaths were homely people, hospitable, warm-hearted, and contented without being complacent. Claude had often felt himself a little apart from them, yet he derived from them and inherited, doubtless, much from them of character, of sentiment, of habit. He was of them and not of them. But he liked their qualities well in his soul, although he felt that he could not live quite as they did, or be satisfied with what satisfied them.

Although he had lived for some years in London he had never tried, or even thought of trying, to push his way into what are called "the inner circles." He had assiduously cultivated his musical talent, but never with a view to using it as a means of opening shut doors. He knew comparatively few people, and scarcely any who were "in the swim," who were written of in social columns, whose names were on the lips of the journalists and of the world. He never thought about his social position as compared with that of others. Accustomed to being a gentleman, he did not want to be more or other than he was. Had he been poor the obligation to struggle might have roused within him the instinct to climb. A forced activity might have bred in him the commoner sort of ambition. But he had enough money and could gratify his inclination toward secrecy and retirement. For several years, since he had left the Royal College of Music and settled down in his little house, he had been happy enough in his sheltered and perhaps rather selfish existence. Dwelling in the center of a great struggle for life, he had enjoyed it because he had had nothing to do with it. His own calm had been agreeably accentuated by the turmoil which surrounded and enclosed it. How many times had he blessed his thousand a year, that armor of gold with which fate had provided him! How often had he imagined himself stripped of it, realized mentally the sudden and fierce alteration in his life and eventually, no doubt, in himself that must follow if poverty came!

He had a horror of the jealousies, the quarrels, the hatreds, the lies, the stabbings in the dark that make too often hideous, despicable, and terrible a world that should be very beautiful. During his musical education he had seen enough to realize that side by side with great talent, with a warm impulse toward beauty, with an ardor that counts labor as nothing, or as delight, may exist coldness, meanness, the tendency to slander, egoism almost inhuman in its concentration, the will to climb over the bodies of the fallen, the tyrant's mind, and the stony heart of the cruel. Art, so it seemed to Claude, often hardened instead of softening the nature of man. That, no doubt, was because artists were generally competitors. Actors, writers, singers, conductors, composers were pitted against each other. The world that should be calm, serene, harmonious, and perfectly balanced became a cock-pit, raucous with angry voices, dabbled with blood, and strewn with the torn feathers of the fallen.

The many books which he had read dealing with the lives of great artists, sometimes their own autobiographies, had only confirmed him in his wish to keep out of the struggle. Such books, deeply interesting though they were, often made him feel almost sick at heart. As he read them he saw genius slipping, or even wallowing in pits full of slime. Men showered their gold out of blackness. They rose on strong pinions only to sink down below the level surely of even the average man. And angry passions attended them along the pilgrimage of their lives, seemed born and bred of their very being. Few books made Claude feel so sad as the books which chronicled the genius of men submitted to the conditions which prevail in the ardent struggle for life.

He closed them, and was happy with his own quiet fate, his apparently humdrum existence, which provided no material for any biographer, the fate of the unknown man who does not wish to be known.

But, of course, there was in him, as there is in almost every man of strong imagination and original talent, a restlessness like that of the physically strong man who has never tried and proved his strength in any combat.

Mrs. Shiffney had appealed to his restlessness, which had driven Claude forth into the darkness of evening and now companioned him along the London ways. He knew no woman of her type well, and something in him instinctively shrank from her type. As he had said to Mrs. Mansfield, he dreaded, yet he was aware that he might be fascinated by, the monster with teeth and claws always watchful and hungry for pleasure. And the voice that murmured, "To-morrow we die! To-morrow we die!" was like a groan in his ears. But now, as he walked, he was almost inclined to scold his imagination as a companion which led him into excesses, to rebel against his own instinct. Why should he refuse any pleasant temptation that came in his way? Why should he decline to go on the yacht? Was he not a prude, a timorous man to be so afraid for his own safety, not of body, but of mind and soul? Mrs. Shiffney's remarks about Continental artists stuck in his mind. Ought he not to fling off his armor, to descend boldly into the mid-stream of life, to let it take him on its current whither it would?

He was conscious that if once he abandoned his cautious existence he might respond to many calls which, as yet, had not appealed to him. He fancied that he was one of those natures which cannot be half-hearted, which cannot easily mingle, arrange, portion out, take just so much of this and so much of that. The recklessness that looked out of Mrs. Shiffney's eyes spoke to something in him that might be friendly to it, though something else in him disliked, despised, almost dreaded it.