"You no longer care for your husband's achievements, Catherine."
He did not call her Kitty.
"I fear them, Mark," Catherine replied.
"Fear them! Why?"
"They are doing great harm in the world."
Mark uttered an impatient exclamation. As a man he was kind and gentle, but as an artist he was wilful and intolerant. Soon after this he wrote to Berrand and invited him to stay. Berrand came. This time Catherine shuddered at his coming. She began to look upon him as her husband's evil genius. Berrand did not apparently notice any change in her, for he treated her as usual, and spoke much to her of Mark. And Catherine was too reserved to express the feelings which tortured her to a comparative stranger. For this reason Berrand did not understand the terrible conflict that was raging within her as "William Foster's" new work grew, and he often spoke to her about the book, and described, with mischievous intellectual delight, its terror, its immorality and its pain. Catherine listened with apparent calm. She was waiting for that interruption from heaven. She was wondering why it did not come.
One night in summer it chanced that she and Berrand spoke of Fate. Catherine, dominated by her fixed idea that God would intervene in some strange and abrupt way to interrupt the activities of Mark, spoke of Fate as something inevitably ordained, certain as the rising of the sun or the dropping down of the darkness. Berrand laughed.
"There is no Fate," he said. "There is man, there is woman. Man and woman make circumstance. We fashion our own lives and the lives of others."
"And our deaths?" said Catherine.
"We die when we've done enough, when we've done our best or worst, when we've pushed our energy as far as it will go—that is, if we die what is called a natural death. But of course now and then some other human being chooses to think for us, and to think we have lived long enough or too long. And then——"