"No, no; I learnt his history, the history of a gamin of fifteen or thereabouts. It was much the same as a history of a London pavement, with this exception, that the gamin had a mother to whom he presented me without undue formality. The impression made upon me by that lady at first was unfavourable, since she was slatternly, drank, and was apparently given to cuffing and kicking the boy—her only child. I considered her an abandoned and unfeeling female. She dwelt in Drury Lane and sold something that most of us have never heard of."

"I can see her."

"I wish to heaven I could not," the painter said, with a sudden outburst of fire.

He was silent a moment and then continued: "I had no difficulty in persuading her to let me paint the boy. I don't think she rightly understood what I meant, except that for some foolish reason I was prepared to give her money, apparently in return for nothing, that I meant to have little Jack decently dressed—"

"Jack—was that his name?"

"Yes, and that he was to spend certain hours—snatched from Trafalgar Square—in my house in Kensington."

"I see."

"The boy turned up in the jersey and cap and boots I had bought him. And then his education began. On first entering my studio he was numb with surprise, a moving and speechless stare—more overcome than by rainbows."

"Poor little chap!"

"I let him stray about examining everything. He did so completely oblivious of my presence, and of the fact that all the things in the place were mine. By his demeanour one might have supposed him engaged in an examination of works of God never before brought to his notice. While I smoked and pretended to read, he crept about like a little animal, penetrating into corners where statues stood, smelling—so it seemed—the angles of painted walls, touching the petals of flowers, smoothing rugs the wrong—but soon the right—way. I can hear his new boots creaking still. He was a very muscular little chap, but small. When he was able to speak I questioned him. He had never seen the sea. He had never been out of London for a day or slept away from Drury Lane for a night. The flask was empty; now to pour the wine into it. I told him to sit down by the open hearth. He obeyed, staring hard at me before he sat, hard at the chair when he was sitting. I interested him much less than old brocade and lighted wax candles, which inspired him with a solemnity that widened his eyes and narrowed his features. He looked on a new, and never-before-imagined, life. And he was grave to excess, though, later, I found plenty of the London child's impish nature in him."