Anthony inquired as to his dress.

“Nay, nay,” said Mistress Corbet, “that will do very well; it is sober and quiet, and a little splashed: it will appear that you came in such haste that you could not change it. Her Grace likes to see a man hot and in a hurry sometimes; and not always like a peacock in the shade.—And, Master Anthony, it suits you very well.”

He asked what time the play would be over, and that his horse might be saddled ready for him when he should want it; and Mary promised to see to it.

He felt much more himself as he supped alone in the parlour. The bewilderment had passed; the courage and spirit of Mary had infected his own, and the stirring strange life of the palace had distracted him from that dreadful brooding into which he had at first sunk.

When he had finished supper he sat in the window seat, pondering and praying too that the fierce heart of the Queen might be melted, and that God would give him words to say.

There was much else too that he thought over, as he sat and watched the illuminated windows round the little lawn on which his own looked, and heard the distant clash of music from the Hall where the Queen was supping in state. He thought of Mary and of her gay and tender nature; and of his own boyish love for her. That indeed had gone, or rather had been transfigured into a brotherly honour and respect. Both she and he, he was beginning to feel, had a more majestic task before them than marrying and giving in marriage. The religion which made this woman what she was, pure and upright in a luxurious and treacherous Court, tender among hard hearts, sympathetic in the midst of selfish lives—this Religion was beginning to draw this young man with almost irresistible power. Mary herself was doing her part bravely, witnessing in a Protestant Court to the power of the Catholic Faith in her own life; and he, what was he doing? These last three days were working miracles in him. The way he had been received by Walsingham and Aylmer, their apparent inability to see his point of view on this foul bit of treachery, the whole method of the Government of the day;—and above all the picture that was floating now before his eyes over the dark lawn, of the little cell in the Tower and the silent wrenched figure lying upon the straw—the “gallant gentleman” as Mary had called him, who had reckoned all this price up before he embarked on the life of a priest, and was even now paying it gladly and thankfully, no doubt—all this deepened the previous impressions that Anthony’s mind had received; and as he sat here amid the stir of the royal palace, again and again a vision moved before him, of himself as a Catholic, and perhaps—— But Isabel! What of Isabel? And at the thought of her he rose and walked to and fro.


Presently the servant came again to take Anthony to the Presence Chamber, where the play was to take place.

“I understand, sir, from Mistress Corbet,” said the man, closing the door of the parlour a moment, “that you are come about Mr. Maxwell. I am a Catholic, too, sir, and may I say, sir, God bless and prosper you in this.—I—I beg your pardon, sir, will you follow me?”

The room was full at the lower end where Anthony had to stand, as he was not in Court dress; and he could see really nothing of the play, and hear very little either. The children of Paul’s were acting some classical play which he did not know: all he could do was to catch a glimpse now and again of the protruding stage, with the curtains at the back, and the glitter of the armour that the boys wore; and hear the songs that were accompanied by a little string band, and the clash of the brass at the more martial moments. The Queen and the Duke, he could see, sat together immediately opposite the stage, on raised seats under a canopy; a group of halberdiers guarded them, and another small company of them was ranged at the sides of the stage. Anthony could see little more than this, and could hear only isolated sentences here and there, so broken was the piece by the talking and laughing around him. But he did not like to move as Mistress Corbet had told him to be present, so he stood there listening to the undertone talk about him, and watching the faces. What he did see of the play did not rouse him to any great enthusiasm. His heart was too heavy with his errand, and it seemed to him that the occasional glimpses he caught of the stage showed him a very tiresome hero, dressed in velvet doublet and hose and steel cap, strangely unconvincing, who spoke his lines pompously, and was as unsatisfactory as the slender shrill-voiced boy who, representing a woman of marvellous beauty and allurement, was supposed to fire the conqueror’s blood with passion.