Come Rack! Come Rope!

by Robert Hugh Benson

"I can at least try my poor skill, sir," he said.

Sir Amyas instantly turned, with a jerk of his head to beckon them, and clanked out again into the hall. There was not a moment's opportunity for the two conspirators to exchange even a word; for there, in the hall, stood the two men who had brought Robin in, to keep guard; and as the party passed through to the foot of the great staircase, he saw on each landing that was in sight another sentry, and, at a door at the end of the overhead gallery, against which hung a heavy velvet curtain, stood the last, a stern figure to keep guard on the rooms of a Queen, with his body-armour complete, a steel hat on his head and a pike in his hand.

It was to this door that Sir Amyas went, acknowledging with a lift of the finger the salute of his men. (It was plain that this place was under strict military discipline.) With the two, the real and the false physician following him, he pulled aside the curtain and rapped imperiously on the door. It was opened after a moment's delay by a frightened-faced woman.

"Her Grace?" demanded the officer sharply. "Is she still abed?"

"Her Grace is risen, sir," said the woman tremulously; "she is in the inner room."

Sir Amyas strode straight on, pulled aside a second curtain hanging over the further door, rapped upon that, too, and without even waiting for an answer this time, beyond the shrill barking of dogs within, opened it and passed in. Mr. Bourgoign followed; and Robin came last. The door closed softly behind him.

III

The room was furnished with more decency than any he had seen in this harsh house; for, although at the time he thought that he had no eyes for anything but one figure which it contained, he found himself afterwards able to give a very tolerable account of its general appearance. The walls were hung throughout with a dark-blue velvet hanging, stamped with silver fleur-de-lys. There were tapestries on the floor, between which gleamed the polished oak boards, perfectly kept, by the labours (no doubt) of her Grace's two women (since such things would be mere "fiddle-faddle" to the honest soldier); a graceful French table ran down the centre of the room, very delicately carved, and beneath it two baskets from which looked out the indignant heads of a couple of little spaniels; upon it, at the nearer end, were three or four cages of turtle-doves, melancholy-looking in this half-lit room; old, sun-bleached curtains of the same material as that which hung on the walls, shrouded the two windows on the right, letting but a half light into the room: there was a further door, also curtained, diagonally opposite that by which the party had entered; and in the centre of the same wall a tall blue canopy, fringed with silver, rose to the ceiling. Beneath it, on a daïs of a single step, stood a velvet chair, with gilded arms, and worked with the royal shield in the embroidery of the back—with a crowned lion sejant, guardant, for the crest above the crown. Half a dozen more chairs were ranged about the table; and, on a couch, with her feet swathed in draperies, with a woman standing over her behind, as if she had just risen up from speaking in her ear, lay the Queen of the Scots. A tall silver and ebony crucifix, with a couple of velvet-bound, silver-clasped little books, stood on the table within reach of her hand, and a folded handkerchief beside them.

Mary was past her prime long ago; she was worn with sorrow and slanders and miseries; yet she appeared to the priest's eyes, even then, like a figure of a dream. It was partly, no doubt, the faintness of the light that came in through the half-shrouded windows that obliterated the lines and fallen patches that her face was beginning to bear; and she lay, too, with her back even to such light as there was. Yet for all that, and even if he had not known who she was, Robin could not have taken his eyes from her face. She lay there like a fallen flower, pale as a lily, beaten down at last by the waves and storms that had gone over her; and she was more beautiful in her downfall and disgrace, a thousand times, than when she had come first to Holyrood, or danced in the Courts of France.

Now it is not in the features one by one that beauty lies but rather in the coincidence of them all. Her face was almost waxen now, blue shadowed beneath the two waves of pale hair; she had a small mouth, a delicate nose, and large, searching hazel eyes. Her head-dress was of white, with silver pins in it; a light white shawl was clasped cross-wise over her shoulders; and she wore a loose brocaded dressing-gown beneath it. Her hands, clasped as if in prayer, emerged out of deep lace-fringed sleeves, and were covered with rings. But it was the air of almost superhuman delicacy that breathed from her most forcibly; and, when she spoke, a ring of assured decision revealed her quiet consciousness of royalty. It was an extraordinary mingling of fragility and power, of which this feminine and royal room was the proper frame.