On all sides of him men jostled and murmured aloud. One said, "She is coming down"; another, "It is all over"; another, "They have awakened her." "What is it? what is it?" whispered Robin to the air, watching waves of movement pass over the serried heads before him. The lights were still burning here and there in the windows, and the tall panes of the hall were all aglow, as if a great fire burned within. Overhead the sky had turned to daylight at last, but they were grey clouds that filled the heavens so far as he could see. Meanwhile, the horns brayed in unison, a rough melody like the notes of bugles, and the drums beat out the time.
Again there was a long pause—in which the lapse of time was incalculable. Time had no meaning here: men waited from incident to incident only—the moving of a line of steel caps, a pause in the music, a head thrust out from a closed window and drawn back again…. Again the music broke out, and this time it was an air that they played—a lilting melancholy melody, that the priest recognised, yet could not identify. Men laughed subduedly near him; he saw a face wrinkled with bitter mirth turned back, and he heard what was said. It was "Jumping Joan" that was being played—the march consecrated to the burning of witches. He had heard it long ago, as a boy….
Then the rumour ran through the crowd, and spent itself at last in the corner where the priest stood trembling with wrath and pity.
"She is in the hall."
It was impossible to know whether this were true, or whether she had not been there half an hour already. The horror was that all might be over, or not yet begun, or in the very act of doing. He had thought that there would be some pause or warning—that a signal would be given, perhaps, that all might bare their heads or pray, at this violent passing of a Queen. But there was none. The heads surged and quieted; murmurs burst out and died again; and all the while the hateful, insolent melody rose and fell; the horns bellowed; the drums crashed. It sounded like some shocking dance-measure; a riot of desperate spirits moved in it, trampling up and down, as if in one last fling of devilish gaiety….
* * * * *
Then suddenly the heads grew still; a wave of motionlessness passed over them, as if some strange sympathy were communicated from within those tall windows. The moments passed and passed. It was impossible to hear those murmurs, through the blare of the instruments; there was one sound only that could penetrate them; and this, rising from what seemed at first the wailing of a child, grew and grew into the shrill cries of a dog in agony. At the noise once more a roar of low questioning surged up and fell. Simultaneously the music came to an abrupt close; and, as if at a signal, there sounded a great roar of voices, all shouting together within the hall. It rose yet louder, broke out of doors, and was taken up by those outside. The court was now one sea of tossing heads and open mouths shouting—as if in exultation or in anger. Robin fought for his place on the projecting stones, clung to the rough wall, gripped a window-bar and drew himself yet higher.
Then, as he clenched himself tight and stared out again towards the tall windows that shone in bloody flakes of fire from the roaring logs within; a sudden and profound silence fell once more before being shattered again by a thousand roaring throats….
For there, in full view beyond the clear glass stood a tall, black figure, masked to the mouth, who held in his out-stretched hands a wide silver dish, in which lay something white and round and slashed with crimson….