He understood, then, what had precipitated this crisis and broken down the girl's reserve. It was, in fact, exactly that same appeal which holds a gallery breathless and tearful in the last act of a Surrey-side melodrama—the combination of Sunday quiet, a sunset, church bells, associations and human relationships; and Gertie's little suburban soul responded to it as a bell to a bell-rope. It was this kind of thing that stood to her for holiness and peace and purity, and it had gone clean through her heart. And he understood, too, that it was his presence that had allowed her to break down. The Major's atmosphere had held her taut so far. Frank was conscious of a lump in his own throat as he stared out, helpless, first at the peaceful Sunday fields and then down at the shaking shoulders and the slender, ill-clad, writhed form of Gertie.... He did not know what to do ... he hoped the Major would not be back just yet. Then he understood he must say something.
"Don't cry," he said. "The Major—"
She sat up on the instant in sudden consternation, her pretty, weak, sunburned face disfigured with tears, but braced for the moment by fear.
"No, no," said Frank; "he isn't coming yet; but—"
Then she was down again, moaning and talking. "Oh!... Oh!... I'm a wicked girl.... My mother!... and I never thought I should come to this!"
"Well, why don't you chuck it?" said Frank practically.
"I can't!... I can't! I ... I love him!"
That had not occurred to this young man as a conceivable possibility, and he sat silenced. The church-bells pealed on; the sun sank a little lower; Gertie sobbed more and more gently; and Frank's mind worked like a mill, revolving developments. Finally, she grew quiet, lay still, and, as the bells gave place to one of their number, sat up. She dabbed at her eyes with a handful of wet grass, passed her sleeve across them once or twice, and began to talk.
"I ... I'm very silly, Frankie," she said, "but I can't help it. I'm better now. Don't tell George."