Isomorphism, which appears in a very remarkable manner among the organic compounds, has, under the head of crystallization, already had our attention. There is also a class of bodies which are said to be isomeric; that is, to have the same composition, although different in their physical characters. But the idea that bodies exist, which, although of a decidedly different external character, are of exactly the same chemical composition and physical condition, is not tenable; and in nearly all the examples which have been carefully examined, a difference in the aggregate number of atoms, or in the mode in which those atoms have respectively arranged themselves, or that peculiar physical difference designated by the term allotropy, has been detected.

Oil of turpentine and oil of lemons have the same composition, each being composed of five equivalents of carbon and four of hydrogen. These substances form, from the striking difference perceptible in their external characters, a good example of isomerism.

The laws of organic chemistry are not, however, the same as those applying to inorganic combinations. Organic chemistry is well defined by Liebig, as the chemistry of compound radicals; and under the influence of vitality, nature produces compounds which have all the properties of simple elements.[211]

When we reflect upon the conditions which prevail throughout nature, with a few of which only has science made us acquainted, we cannot fail to be struck with the various phases of being which are presented to our observation, and the harmonious system upon which they all appear to depend.

When we discover that bodies are formed of certain determinate atoms, which unite one with another, according to an arithmetical system, to form molecules, which, combining with molecules, observe a similar law, we see at once that all the harmonies of chemical combination—the definite proportions, laws of volume, and the like—are but the necessary consequences of these simple and guiding first principles. In the pursuit of truth, investigators must discover still further arrangements, which, from their perfection, may be compared to the melodious interblending of sweet sounds, and many of the apparently indeterminate combinations will, beyond a doubt, be shown to be as definite as any others. But we cannot reflect upon the fact that these atoms and these molecules are guided in their combinations by impulses, which we can only explain by reference to human passions, as the term elective affinity implies, without feeling that an impenetrable mystery of a grand and startling character in its manifestations surrounds each grain of dust which is hurried along upon the wind.

We now, habitually, speak of attraction and repulsion—of the affinity and non-affinity of bodies. We are disposed, from the discovery of the attractive and repelling poles of electrified substances, to regard these powers in all cases as depending upon some electrical state, and we write learnedly upon the laws of these forces. After all, it would be more honest to admit, that we know no more of the secret impulses which regulate the combinations of matter, than did those who satisfied themselves by referring all phenomena of these kinds to sympathies and antipathies: terms which have a poetic meaning, conveying to the mind, with considerable distinctness, the fact, and giving the idea of a feeling—a passion—involving and directing inanimate matter, similar to that which stirs the human heart, and certainly calculated to convey the impression that there is working within all things a living principle, and pointing, indeed, to “the soul of the world.” The animated marble of ancient story is far less wonderful than the fact, proved by investigation, that every atom of matter is penetrated by a principle which directs its movements and orders its positions, and involved by an influence which extends, without limits, to all other atoms, and which determines their union, or otherwise.

We have gravitation, drawing all matter to a common centre, and acting from all bodies throughout the wide regions of unmeasured space upon all. We have cohesion, holding the particles of matter enchained, operating only at distances too minute for the mathematician to measure; and we have chemical attraction, different from either of these, working no less mysteriously within absolutely insensible distances, and, by the exercise of its occult power, giving determinate and fixed forms to every kind of material creation.

The spiritual beings, which the poet of untutored nature gave to the forest, to the valley, and to the mountain, to the lake, to the river, and to the ocean, working within their secret offices, and moulding for man the beautiful or the sublime, are but the weak creations of a finite mind, although they have for us a charm which all men unconsciously obey, even when they refuse to confess it. They are like the result of the labours of the statuary, who, in his high dreams of love and sublimated beauty, creates from the marble block a figure of the most exquisite moulding which mimics life. It charms us for a season; we gaze and gaze again, and its first charms vanish; it is ever and ever still the same dead heap of chiselled stone. It has not the power of presenting to our wearying eyes the change which life alone enables matter to give; and we admit the excellence of the artist, but we cease to feel at his work. The creations of poetry are pleasing, but they never affect the mind in the way in which the poetic realities of nature do. The sylph moistening a lily is a sweet dream; but the thoughts which rise when first we learn that its broad and beautiful dark-green leaves, and its pure and delicate flower, are the results of the alchemy which changes gross particles of matter into symmetric forms,—of a power which is unceasingly at work under the guidance of light, heat, and electrical force,—are, after our incredulity has passed away—for it is too wonderful for the untutored to believe at once—of an exalting character.

The flower has grown under the impulse of principles which have traversed to it on the solar beam, and mingled with its substance. A stone is merely a stone to most men. But within the interstices of the stone, and involving it like an atmosphere, are great and mighty influences, powers which are fearful in their grander operations, and wonderful in their gentler developments. The stone and the flower hold, locked up in their recesses, the three great known forces—light, heat, and electricity: and, in all probability, others of a more exalted nature still, to which these powers are but subordinate agents. Such are the facts of science, which, indeed, are the true “sermons in stones,” and the most musical of “tongues in trees.” How weak are the creations of romance, when viewed beside the discoveries of science! One affords matter for meditation, and gives rise to thoughts of a most ennobling character; the other excites for a moment, and leaves the mind vacant or diseased. The former, like the atmosphere, furnishes a constant supply of the most healthful matter; the latter gives an unnatural stimulus, which compels a renewal of the same kind of excitement, to maintain the continuation of its pleasurable sensations.