Their manner of dancing was now changed to a quicker measure, in which they made a kind of half turn by leaping, and clapped their hands, and snapped their fingers, repeating some words in conjunction with the chorus. Toward the end, as the quickness of the music increased, their gestures and attitudes were varied with wonderful vigour and dexterity; and some of their motions, perhaps, would, with us, be reckoned rather indecent. Though this part of the performance, most probably, was not meant to convey any wanton ideas, but merely to display the astonishing variety of their movements.
To this grand female ballet, succeeded one performed by fifteen men. Some of them were old; but their age seemed to have abated little of their agility or ardour for the dance. They were disposed in a sort of circle, divided at the front, with their faces not turned out toward the assembly, nor inward to the chorus; but one half of their circle faced forward as they had advanced, and the other half in a contrary direction. They, sometimes, sung slowly, in concert with the chorus; and, while thus employed, they also made several very fine motions with their hands, but different from those made by the women, at the same time inclining the body to either side alternately by raising one leg, which was stretched outward, and resting on the other; the arm of the same side being also stretched fully upward. At other times they recited sentences in a musical tone, which were answered by the chorus; and, at intervals, increased the measure of the dance, by clapping the hands, and quickening the motions of the feet, which, however, were never varied. At the end, the rapidity of the music, and of the dancing, increased so much, that it was scarcely possible to distinguish the different movements; though one might suppose the actors were now almost tired, as their performance had lasted near half an hour.
After a considerable interval, another act, as we may call it, began. Twelve men now advanced, who placed themselves in double rows fronting each other, but on opposite sides of the circle; and, on one side, a man was stationed, who, as if he had been a prompter, repeated several sentences, to which the twelve new performers, and the chorus, replied. They then sung slowly; and afterward danced and sung more quickly, for about a quarter of an hour, after the manner of the dancers whom they had succeeded.
Soon after they had finished, nine women exhibited themselves, and sat down fronting the hut where the chief was. A man then rose, and struck the first of these women on the back, with both fists joined. He proceeded, in the same manner, to the second and third; but when he came to the fourth, whether from accident or design I cannot tell, instead of the back, he struck her on the breast. Upon this a person rose instantly from the crowd, who brought him to the ground with a blow on the head; and he was carried off without the least noise or disorder. But this did not save the other five women from so odd a discipline, or perhaps necessary ceremony; for a person succeeded him, who treated them in the same manner. Their disgrace did not end here; for when they danced, they had the mortification to find their performance twice disapproved of, and were obliged to repeat it. This dance did not differ much from that of the first women, except in this one circumstance, that the present set sometimes raised the body upon one leg, by a sort of double motion, and then upon the other alternately, in which attitude they kept snapping their fingers; and, at the end, they repeated, with great agility, the brisk movements, in which the former group of female dancers had shewn themselves so expert.
In a little tine, a person entered unexpectedly, and said something in a ludicrous way, about the fireworks that had been exhibited, which extorted a burst of laughter from the multitude. After this, we had a dance composed of the men, who attended, or had followed, Feenou. They formed a double circle (i.e. one within another) of twenty-four each, round the chorus, and began a gentle soothing song, with corresponding motions of the hands and head. This lasted a considerable time, and then changed to a much quicker measure, during which they repeated sentences, either in conjunction with the chorus, or in answer to some spoken by that band. They then retreated to the back part of the circle, as the women had done, and again advanced, on each side, in a triple row, till they formed a semicircle, which was done very slowly, by inclining the body on one leg, and advancing the other a little way, as they put it down. They accompanied this with such a soft air as they had sung at the beginning; but soon changed it to repeat sentences in a harsher tone, at the same time quickening the dance very much, till they finished with a general shout and clap of the hands. The same was repeated several times; but, at last, they formed a double circle, as at the beginning, danced, and repeated very quickly, and finally closed with several very dexterous transpositions of the two circles.
The entertainments of this memorable night concluded with a dance, in which the principal people present exhibited. It resembled the immediately preceding one, in some respects, having the same number of performers, who began nearly in the same way; but their ending, at each interval, was different; for they increased their motions to a prodigious quickness, shaking their heads from shoulder to shoulder, with such force, that a spectator, unaccustomed to the sight, would suppose, that they ran a risk of dislocating their necks. This was attended with a smart clapping of the hands, and a kind of savage holla! or shriek, not unlike what is sometimes practised in the comic dances on our European theatres. They formed the triple semicircle, as the preceding dancers had done; and a person, who advanced at the head on one side of the semicircle, began by repeating something in a truly musical recitative, which was delivered with an air so graceful, as might put to the blush our most applauded performers. He was answered in the same manner, by the person at the head of the opposite party. This being repeated several times, the whole body, on one side, joined in the responses to the whole corresponding body on the opposite side, as the semicircle advanced to the front; and they finished, by singing and dancing as they had begun.
These two last dances were performed with so much spirit, and so great exactness, that they met with universal approbation. The native spectators, who, no doubt, were perfect judges whether the several performances were properly executed, could not withhold their applauses at some particular parts; and even a stranger, who never saw the diversion before, felt similar satisfaction, at the same instant. For though, through the whole, the most strict concert was observed, some of the gestures were so expressive, that it might be said, they spoke the language that accompanied them; if we allow that there is any connection between motion and sound. At the same time, it should be observed, that though the music of the chorus, and that of the dancers, corresponded, constant practice in these favourite amusements of our friends, seems to have a great share in effecting the exact time they keep in their performances. For we observed, that if any of them happened accidentally to be interrupted, they never found the smallest difficulty in recovering the proper place of the dance or song. And their perfect discipline was in no instance more remarkable, than in the sudden transitions they so dexterously made from the ruder exertions, and harsh sounds, to the softest airs, and gentlest movements.[161]
[Footnote 161: In a former note, it was observed, that the songs and dances of the Caroline Islanders, in the North Pacific, bear a great resemblance to those of the inhabitants of Wateeoo. The remark may be now extended to those of the Friendly Islanders, described at large in this chapter. That the reader may judge for himself, I have selected the following particulars from Father Cantova's account. "Pendant la nuit, au clair de la lune, ils s'assemblent, de temps en temps, pour chanter & danser devant la maison de leur Tumole. Leurs danses se font au son de la voix, car ils n'ont point d'instrument de musique. La beauté de la danse, consiste dans l'exacte uniformité des mouvemens du corps. Les hommes, separés des femmes, se postent vis-à-vis les uns des autres; après quoi, ils remuent la tête, les bras, les mains, les pieds, en cadence. Leur tête est couverte de plumes, on de fleurs;--et l'on voit, attachées à leurs oreilles, des feuilles de palmier tissues avec assez d'art--Les femmes, de leur coté,--se regardant les unes les autres, commencent un chant pathétique & langoureux, accompagnant le son de leur voix du mouvement cadencé de la tête & des bras."--Lettres Edifiantes & Curiesues, tom. xv. p. 314, 315.--D.]
The place where the dances were performed was an open space amongst the trees, just by the sea, with lights, at small intervals, placed round the inside of the circle. The concourse of people was pretty large, though not equal to the number assembled in the forenoon, when the marines exercised. At that time, some of our gentlemen guessed there might be present about five thousand persons; others thought there were more; but they who reckoned that there were fewer, probably, came nearer the truth.
SECTION VI.