"She's out on the river with Mr. Morgan. They will not be back till dinner, so you would just as well sit down here and talk to me.... But I'm sorry you didn't volunteer—you will never be my brother now.... And I was beginning to like you so much."

"I thank you, little girl, for your attempt to think well of me. I see that I have sinned past your forgiveness in not being a hero. Remember that it is only because ninety and nine men are commonplace that the hundredth may be a hero. I am one of the ninety and nine that make the hero possible—a modest king-maker, in a way. A hero must have some one else to fight for, or die for, or live for. He cannot do these things for himself, for that would make him anything but a hero. So you see that the second person is as necessary to the process of hero-making as the hero himself. It's all in the process and not in the product, anyway. It's the hero in act and not in fact, in the making and not in the taking, that enjoys his own heroism and is worth our interest. While he is making himself he thrills with the effort and with the uncertainty as to whether he will get a commission, a lathe-and-plaster arch, or a court of inquiry; and we the ninety and nine, we thrill with the gambling fever and make wagers that his trolley will get off the wire. But when he gets himself done—clean done, so to speak, wrapped in tinfoil and ready for use—then there is nothing left for the hero to do but to pose and await our applause—which is most unheroic; and we, after one whoop, forget him in the excitement of watching the next candidate risk his neck. Besides, the hero's work in hero-making is temporary and limited, for he stops with making one; but we, when we have finished with one, turn to the making of another, and our work is never done. While I am not even one hero, I have helped to make a hundred. Come now—you are generous and unselfish—which would you most admire, one finished hero listening for applause, or a hero-maker, who, without reward or the hope of reward, modestly and continuously assists in thus bringing glory to an endless procession of his fellows?"

"You think you are brilliant, Mr. Rutledge," answered Helen with an impatient toss of her head, "but you can't confuse me by any such talk as that. You needn't think you will be able to persuade Elise by any long jumble of words that you are greater than a hero. A king-maker!" She laughed mockingly at him.

"Don't fear that I will use any sophistry or doubtful method to become your brother," Rutledge rejoined amusedly. "I have only one thing to tell Miss Phillips."

"And what is that?" asked Helen with interest.

"I am inexpressibly pained to refuse your lightest wish," said Rutledge grandiloquently, "but to grant your request would be—telling; and I may—not tell,—perhaps,—even Miss Phillips."

"Do not suffer so," said Helen with an assumption of great indifference. "I don't care to hear it."

"Yes, I predict that you will be delighted to listen to it when it is told to you," said Rutledge confidently. "And it will be beyond doubt. But you are too young to hear such things yet. Be patient. You'll get older if you live long enough."

It fretted Helen to be told that she was young, as she was told a dozen times a day—not that she disliked her youth, but because of the suggestion that she was not free to do as she pleased; and her eyes began to flash at Rutledge's taunt and her mind to form a suitable expression of resentment—when that gentleman walked away from her smiling at her petulant anger.

Evans Rutledge had more interest in Helen's words about her sister than he showed in his manner or conversation. He had not told Elise what his heart had told him for many days past, though she did not need spoken words to know. He, manlike, thought that he was keeping this knowledge of his supreme affection for her a secret in his own soul, to be delivered as a startling and effective surprise when an impressive and strategic opportunity should come to tell her of it. She, womanlike, read him as easily as a college professor is supposed to read Greek, and concerned herself chiefly with feigning ignorance of his interest in her.