"Were you ever in a flood?—a worse flood than this?" asked Elise.
"Yes. When our little rivers get up they are as bad as this or worse. I have seen them worse. During the great flood on the Pacolet some years ago, when railroad bridges, mill dams, saw-mills, cotton mills, houses, barns, cotton bales, lumber, cattle, men, women and children were all engulfed in one watery burial, the little river was for six hours a monster—a demon."
"Tell me about that," Elise said; and to entertain her Rutledge told her at length the story of that cataclysm of piedmont South Carolina. He went into the details without which such description is only awful, not interesting. Many were the incidents of heroism and hairbreadth escapes and unspeakable calamity which he related; and he told the stories with such vividness of portraiture, dramatic fire and touches of pathos that, with the roar of many waters actually pounding upon her ear-drums, Elise could close her eyes and see the scenes he depicted.
In looking upon the pictures he drew with such living interest she found herself straining her tight-shut eyes in search of his figure among the throng that lined the river-bank or fought the awful flood. Time after time as he described an act of heroic courage in words that burned and glowed and crackled with the fire that could stir only an eye-witness or an actor in the unstudied drama he was reproducing, she would clothe the hero with Rutledge's form, identify his distinctive gestures and movement and catch even the tones of his voice as it shouted against the booming of the waters: but with studied regularity and distinctness Rutledge at some point in every story, incidentally and apparently unconsciously, would make it plain that the hero of that incident was a person other than himself.
He might have told her, indeed, many things to his own credit: especially of a desperate ride and struggle in one of those dugouts which he had volunteered to make in order to prevent an old negro man adrift on a cabin-top from going over Pacolet Dam Number 3, where so many unfortunates went down and came not up again; but at no time could Elise infer from his speech that he was the hero of his own story. Her word "artful" still rankled in his memory, and he swore to his own soul that she should never, never hear him utter a word that might show he possessed or claimed to possess courage.
The only method by which Elise could deduce from his words the conclusion that Rutledge was of courageous heart was that courage seemed such a commonplace virtue among the people of his section that he probably possessed his share of it. Her curiosity was finally aroused to know whether by any artifice she might induce him to tell of his own exploits, which his very reticence persuaded her must be many and interesting, and she brought all her powers into play to draw him out: but to no purpose. She refrained from any direct appeal to him in fear that a personal touch might turn the conversation along dangerous lines; and Rutledge, having been properly rebuked, waited for some intimation of permission before presuming to discuss other than impersonal themes.
While indeed it only confirmed her woman's intuition, Elise was unconsciously happier because of Rutledge's blunt statement of his love, for it made certain a fact that was not displeasing to her. Yet she would hold him at arm's length, for she could with sincerity bid him neither hope nor despair. The glamour of her day-dreams made the reading of her heart's message uncertain. Rutledge had not the glittering accessories that attended the wooer of her visions; and yet as he talked to her she was mentally placing him in every picture her mind drew of the future, and was impressed that whether in the soft scenes where knightly gallantry and grace wait upon fair women, or in the stern dramas where bitter strength of mind and heart and body is poured out in libation to the god of grinding conflict, he, in every scene, looked all that became a man.
Rutledge's flow of narrative and Elise's absent-minded reverie were broken in upon by the hail of Jacques, who was approaching them from almost directly up-stream. His canoe was doing a grapevine dance as he pushed it yet farther across the river and dropped rapidly down to a landing on the far side of the island.
"Sacre! Wrong side!" he exclaimed when he came across and saw where Rutledge had pulled his canoe out of the water. "Here I lose two canoe sometime. How you mek him land?"
Rutledge did not answer the question but set about getting his canoe across the island to the point designated by Jacques as the place for leaving it. He had no desire to stay longer since all hope of further tête-à-tête with Elise was gone; and in a few minutes they were ready to embark.