That trill of tiny song with which the eaves-birds of London welcome the approach of day found him limp and rumpled and bloodshot, and with a mind still vacant of resource. He rose and looked forth unrejoicingly on blinded windows, an empty street, and the grey daylight dotted with the yellow lamps. There are mornings when the city seems to awake with a sick headache; this was one of them; and still the twittering reveille of the sparrows stirred in Gideon’s spirit.

‘Day here,’ he thought, ‘and I still helpless! This must come to an end.’ And he locked up the piano, put the key in his pocket, and set forth in quest of coffee. As he went, his mind trudged for the hundredth time a certain mill-road of terrors, misgivings, and regrets. To call in the police, to give up the body, to cover London with handbills describing John Dickson and Ezra Thomas, to fill the papers with paragraphs, Mysterious Occurrence in the Temple—Mr Forsyth admitted to bail, this was one course, an easy course, a safe course; but not, the more he reflected on it, not a pleasant one. For, was it not to publish abroad a number of singular facts about himself? A child ought to have seen through the story of these adventurers, and he had gaped and swallowed it. A barrister of the least self-respect should have refused to listen to clients who came before him in a manner so irregular, and he had listened. And O, if he had only listened; but he had gone upon their errand—he, a barrister, uninstructed even by the shadow of a solicitor—upon an errand fit only for a private detective; and alas!—and for the hundredth time the blood surged to his brow—he had taken their money! ‘No,’ said he, ‘the thing is as plain as St Paul’s. I shall be dishonoured! I have smashed my career for a five-pound note.’

Between the possibility of being hanged in all innocence, and the certainty of a public and merited disgrace, no gentleman of spirit could long hesitate. After three gulps of that hot, snuffy, and muddy beverage, that passes on the streets of London for a decoction of the coffee berry, Gideon’s mind was made up. He would do without the police. He must face the other side of the dilemma, and be Robert Skill in earnest. What would Robert Skill have done? How does a gentleman dispose of a dead body, honestly come by? He remembered the inimitable story of the hunchback; reviewed its course, and dismissed it for a worthless guide. It was impossible to prop a corpse on the corner of Tottenham Court Road without arousing fatal curiosity in the bosoms of the passers-by; as for lowering it down a London chimney, the physical obstacles were insurmountable. To get it on board a train and drop it out, or on the top of an omnibus and drop it off, were equally out of the question. To get it on a yacht and drop it overboard, was more conceivable; but for a man of moderate means it seemed extravagant. The hire of the yacht was in itself a consideration; the subsequent support of the whole crew (which seemed a necessary consequence) was simply not to be thought of. His uncle and the houseboat here occurred in very luminous colours to his mind. A musical composer (say, of the name of Jimson) might very well suffer, like Hogarth’s musician before him, from the disturbances of London. He might very well be pressed for time to finish an opera—say the comic opera Orange Pekoe—Orange Pekoe, music by Jimson—‘this young maestro, one of the most promising of our recent English school’—vigorous entrance of the drums, etc.—the whole character of Jimson and his music arose in bulk before the mind of Gideon. What more likely than Jimson’s arrival with a grand piano (say, at Padwick), and his residence in a houseboat alone with the unfinished score of Orange Pekoe? His subsequent disappearance, leaving nothing behind but an empty piano case, it might be more difficult to account for. And yet even that was susceptible of explanation. For, suppose Jimson had gone mad over a fugal passage, and had thereupon destroyed the accomplice of his infamy, and plunged into the welcome river? What end, on the whole, more probable for a modern musician?

‘By Jove, I’ll do it,’ cried Gideon. ‘Jimson is the boy!’

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CHAPTER XI. The Maestro Jimson

Mr Edward Hugh Bloomfield having announced his intention to stay in the neighbourhood of Maidenhead, what more probable than that the Maestro Jimson should turn his mind toward Padwick? Near this pleasant riverside village he remembered to have observed an ancient, weedy houseboat lying moored beside a tuft of willows. It had stirred in him, in his careless hours, as he pulled down the river under a more familiar name, a certain sense of the romantic; and when the nice contrivance of his story was already complete in his mind, he had come near pulling it all down again, like an ungrateful clock, in order to introduce a chapter in which Richard Skill (who was always being decoyed somewhere) should be decoyed on board that lonely hulk by Lord Bellew and the American desperado Gin Sling. It was fortunate he had not done so, he reflected, since the hulk was now required for very different purposes.

Jimson, a man of inconspicuous costume, but insinuating manners, had little difficulty in finding the hireling who had charge of the houseboat, and still less in persuading him to resign his care. The rent was almost nominal, the entry immediate, the key was exchanged against a suitable advance in money, and Jimson returned to town by the afternoon train to see about dispatching his piano.

‘I will be down tomorrow,’ he had said reassuringly. ‘My opera is waited for with such impatience, you know.’

And, sure enough, about the hour of noon on the following day, Jimson might have been observed ascending the riverside road that goes from Padwick to Great Haverham, carrying in one hand a basket of provisions, and under the other arm a leather case containing (it is to be conjectured) the score of Orange Pekoe. It was October weather; the stone-grey sky was full of larks, the leaden mirror of the Thames brightened with autumnal foliage, and the fallen leaves of the chestnuts chirped under the composer’s footing. There is no time of the year in England more courageous; and Jimson, though he was not without his troubles, whistled as he went.