‘That nicht a child might understand
The deil had business on his hand.’
And if people sit up all night in lone places on the hills, with Bibles and tremulous psalms, they will be apt to hear some of the most fiendish noises in the world; the wind will beat on doors and dance upon roofs for them, and make the hills howl around their cottage with a clamour like the judgment-day.
The road goes down through another valley, and then finally begins to scale the main slope of the Pentlands. A bouquet of old trees stands round a white farmhouse; and from a neighbouring dell, you can see smoke rising and leaves ruffling in the breeze. Straight above, the hills climb a thousand feet into the air. The neighbourhood, about the time of lambs, is clamorous with the bleating of flocks; and you will be awakened, in the grey of early summer mornings, by the barking of a dog or the voice of a shepherd shouting to the echoes. This, with the hamlet lying behind unseen, is Swanston.
The place in the dell is immediately connected with the city. Long ago, this sheltered field was purchased by the Edinburgh magistrates for the sake of the springs that rise or gather there. After they had built their water-house and laid their pipes, it occurred to them that the place was suitable for junketing. Once entertained, with jovial magistrates and public funds, the idea led speedily to accomplishment; and Edinburgh could soon boast of a municipal Pleasure House. The dell was turned into a garden; and on the knoll that shelters it from the plain and the sea winds, they built a cottage looking to the hills. They brought crockets and gargoyles from old St. Giles’s which they were then restoring, and disposed them on the gables and over the door and about the garden; and the quarry which had supplied them with building material, they draped with clematis and carpeted with beds of roses. So much for the pleasure of the eye; for creature comfort, they made a capacious cellar in the hillside and fitted it with bins of the hewn stone. In process of time, the trees grew higher and gave shade to the cottage, and the evergreens sprang up and turned the dell into a thicket. There, purple magistrates relaxed themselves from the pursuit of municipal ambition; cocked hats paraded soberly about the garden and in and out among the hollies; authoritative canes drew ciphering upon the path; and at night, from high upon the hills, a shepherd saw lighted windows through the foliage and heard the voice of city dignitaries raised in song.
The farm is older. It was first a grange of Whitekirk Abbey, tilled and inhabited by rosy friars. Thence, after the Reformation, it passed into the hands of a true-blue Protestant family. During the covenanting troubles, when a night conventicle was held upon the Pentlands, the farm doors stood hospitably open till the morning; the dresser was laden with cheese and bannocks, milk and brandy; and the worshippers kept slipping down from the hill between two exercises, as couples visit the supper-room between two dances of a modern ball. In the Forty-Five, some foraging Highlanders from Prince Charlie’s army fell upon Swanston in the dawn. The great-grandfather of the late farmer was then a little child; him they awakened by plucking the blankets from his bed, and he remembered, when he was an old man, their truculent looks and uncouth speech. The churn stood full of cream in the dairy, and with this they made their brose in high delight. ‘It was braw brose,’ said one of them. At last they made off, laden like camels with their booty; and Swanston Farm has lain out of the way of history from that time forward. I do not know what may be yet in store for it. On dark days, when the mist runs low upon the hill, the house has a gloomy air as if suitable for private tragedy. But in hot July, you can fancy nothing more perfect than the garden, laid out in alleys and arbours and bright, old-fashioned flower-plots, and ending in a miniature ravine, all trellis-work and moss and tinkling waterfall, and housed from the sun under fathoms of broad foliage.
The hamlet behind is one of the least considerable of hamlets, and consists of a few cottages on a green beside a burn. Some of them (a strange thing in Scotland) are models of internal neatness; the beds adorned with patchwork, the shelves arrayed with willow-pattern plates, the floors and tables bright with scrubbing or pipe-clay, and the very kettle polished like silver. It is the sign of a contented old age in country places, where there is little matter for gossip and no street sights. Housework becomes an art; and at evening, when the cottage interior shines and twinkles in the glow of the fire, the housewife folds her hands and contemplates her finished picture; the snow and the wind may do their worst, she has made herself a pleasant corner in the world. The city might be a thousand miles away, and yet it was from close by that Mr. Bough painted the distant view of Edinburgh which has been engraved for this collection; and you have only to look at the etching, [118] to see how near it is at hand. But hills and hill people are not easily sophisticated; and if you walk out here on a summer Sunday, it is as like as not the shepherd may set his dogs upon you. But keep an unmoved countenance; they look formidable at the charge, but their hearts are in the right place, and they will only bark and sprawl about you on the grass, unmindful of their master’s excitations.
Kirk Yetton forms the north-eastern angle of the range; thence, the Pentlands trend off to south and west. From the summit you look over a great expanse of champaign sloping to the sea, and behold a large variety of distant hills. There are the hills of Fife, the hills of Peebles, the Lammermoors and the Ochils, more or less mountainous in outline, more or less blue with distance. Of the Pentlands themselves, you see a field of wild heathery peaks with a pond gleaming in the midst; and to that side the view is as desolate as if you were looking into Galloway or Applecross. To turn to the other is like a piece of travel. Far out in the lowlands Edinburgh shows herself, making a great smoke on clear days and spreading her suburbs about her for miles; the Castle rises darkly in the midst, and close by, Arthur’s Seat makes a bold figure in the landscape. All around, cultivated fields, and woods, and smoking villages, and white country roads, diversify the uneven surface of the land. Trains crawl slowly abroad upon the railway lines; little ships are tacking in the Firth; the shadow of a mountainous cloud, as large as a parish, travels before the wind; the wind itself ruffles the wood and standing corn, and sends pulses of varying colour across the landscape. So you sit, like Jupiter upon Olympus, and look down from afar upon men’s life. The city is as silent as a city of the dead: from all its humming thoroughfares, not a voice, not a footfall, reaches you upon the hill. The sea-surf, the cries of ploughmen, the streams and the mill-wheels, the birds and the wind, keep up an animated concert through the plain; from farm to farm, dogs and crowing cocks contend together in defiance; and yet from this Olympian station, except for the whispering rumour of a train, the world has fallen into a dead silence, and the business of town and country grown voiceless in your ears. A crying hill-bird, the bleat of a sheep, a wind singing in the dry grass, seem not so much to interrupt, as to accompany, the stillness; but to the spiritual ear, the whole scene makes a music at once human and rural, and discourses pleasant reflections on the destiny of man. The spiry habitable city, ships, the divided fields, and browsing herds, and the straight highways, tell visibly of man’s active and comfortable ways; and you may be never so laggard and never so unimpressionable, but there is something in the view that spirits up your blood and puts you in the vein for cheerful labour.
Immediately below is Fairmilehead, a spot of roof and a smoking chimney, where two roads, no thicker than packthread, intersect beside a hanging wood. If you are fanciful, you will be reminded of the gauger in the story. And the thought of this old exciseman, who once lipped and fingered on his pipe and uttered clear notes from it in the mountain air, and the words of the song he affected, carry your mind ‘Over the hills and far away’ to distant countries; and you have a vision of Edinburgh not, as you see her, in the midst of a little neighbourhood, but as a boss upon the round world with all Europe and the deep sea for her surroundings. For every place is a centre to the earth, whence highways radiate or ships set sail for foreign ports; the limit of a parish is not more imaginary than the frontier of an empire; and as a man sitting at home in his cabinet and swiftly writing books, so a city sends abroad an influence and a portrait of herself. There is no Edinburgh emigrant, far or near, from China to Peru, but he or she carries some lively pictures of the mind, some sunset behind the Castle cliffs, some snow scene, some maze of city lamps, indelible in the memory and delightful to study in the intervals of toil. For any such, if this book fall in their way, here are a few more home pictures. It would be pleasant, if they should recognise a house where they had dwelt, or a walk that they had taken.
london
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