“That’s no very bad, Mr. Stewart,” said the rival, “but ye show a poor device in your warblers.”
“Me!” cried Alan, the blood starting to his face. “I give ye the lie.”
“Do ye own yourself beaten at the pipes, then,” said Robin, “that ye seek to change them for the sword?”
“And that’s very well said, Mr. Macgregor,” returned Alan; “and in the meantime” (laying a strong accent on the word) “I take back the lie. I appeal to Duncan.”
“Indeed, ye need appeal to naebody,” said Robin, “Ye’re a far better judge than any Maclaren in Balquhidder: for it’s a God’s truth that you’re a very creditable piper for a Stewart. Hand me the pipes.”
Alan did as he asked; and Robin proceeded to imitate and correct some part of Alan’s variations, which it seemed that he remembered perfectly.
“Ay, ye have music,” said Alan, gloomily.
“And now be the judge yourself, Mr. Stewart,” said Robin; and taking up the variations from the beginning, he worked them throughout to so new a purpose, with such ingenuity and sentiment, and with so odd a fancy and so quick a knack in the grace-notes, that I was amazed to hear him.
As for Alan, his face grew dark and hot, and he sat and gnawed his fingers, like a man under some deep affront, “Enough!” he cried. “Ye can blow the pipes—make the most of that.” And he made as if to rise.
But Robin only held out his hand as if to ask for silence, and struck into the slow measure of a pibroch. It was a fine piece of music in itself, and nobly played; but it seems, besides, it was a piece peculiar to the Appin Stewarts and a chief favourite with Alan. The first notes were scarce out, before there came a change in his face; when the time quickened, he seemed to grow restless in his seat; and long before that piece was at an end, the last signs of his anger died from him, and he had no thought but for the music.