DEAR BOY,—Old Mortality [318] is out, and I am glad to say Coggie likes it. We like her immensely.
I keep better, but no great shakes yet; cannot work—cannot: that is flat, not even verses: as for prose, that more active place is shut on me long since.
My view of life is essentially the comic; and the romantically comic. As you Like It is to me the most bird-haunted spot in letters; Tempest and Twelfth Night follow. These are what I mean by poetry and nature. I make an effort of my mind to be quite one with Molière, except upon the stage, where his inimitable jeux de scène beggar belief; but you will observe they are stage-plays—things ad hoc; not great Olympian debauches of the heart and fancy; hence more perfect, and not so great. Then I come, after great wanderings, to Carmosine and to Fantasio; to one part of La Dernière Aldini (which, by the by, we might dramatise in a week), to the notes that Meredith has found, Evan and the postillion, Evan and Rose, Harry in Germany. And to me these things are the good; beauty, touched with sex and laughter; beauty with God’s earth for the background. Tragedy does not seem to me to come off; and when it does, it does so by the heroic illusion; the anti-masque has been omitted; laughter, which attends on all our steps in life, and sits by the deathbed, and certainly redacts the epitaph, laughter has been lost from these great-hearted lies. But the comedy which keeps the beauty and touches the terrors of our life (laughter and tragedy-in-a-good-humour having kissed), that is the last word of moved representation; embracing the greatest number of elements of fate and character; and telling its story, not with the one eye of pity, but with the two of pity and mirth.
R. L. S.
to Edmund Gosse
From my Bed, May 29, 1884.
DEAR GOSSE,—The news of the Professorate found me in the article of—well, of heads or tails; I am still in bed, and a very poor person. You must thus excuse my damned delay; but, I assure you, I was delighted. You will believe me the more, if I confess to you that my first sentiment was envy; yes, sir, on my blood-boltered couch I envied the professor. However, it was not of long duration; the double thought that you deserved and that you would thoroughly enjoy your success fell like balsam on my wounds. How came it that you never communicated my rejection of Gilder’s offer for the Rhone? But it matters not. Such earthly vanities are over for the present. This has been a fine well-conducted illness. A month in bed; a month of silence; a fortnight of not stirring my right hand; a month of not moving without being lifted. Come! Ça y est: devilish like being dead.—Yours, dear Professor, academically,
R. L. S.
I am soon to be moved to Royat; an invalid valet goes with me! I got him cheap—second-hand.
In turning over my late friend Ferrier’s commonplace book, I find three poems from Viol and Flute copied out in his hand: ‘When Flower-time,’ ‘Love in Winter,’ and ‘Mistrust.’ They are capital too. But I thought the fact would interest you. He was no poetist either; so it means the more. ‘Love in W.!’ I like the best.