(1) As to Studies. There are two more already gone to Stephen. Yoshida Torajiro, which I think temperate and adequate; and Thoreau, which will want a really Balzacian effort over the proofs. But I want Benjamin Franklin and the Art of Virtue to follow; and perhaps also William Penn, but this last may be perhaps delayed for another volume—I think not, though. The Studies will be an intelligent volume, and in their latter numbers more like what I mean to be my style, or I mean what my style means to be, for I am passive. (2) The Essays. Good news indeed. I think Ordered South must be thrown in. It always swells the volume, and it will never find a more appropriate place. It was May 1874, Macmillan, I believe. (3) Plays. I did not understand you meant to try the draft. I shall make you a full scenario as soon as the Emigrant is done. (4) Emigrant. He shall be sent off next week. (5) Stories. You need not be alarmed that I am going to imitate Meredith. You know I was a Story-teller ingrain; did not that reassure you? The Vendetta, which falls next to be finished, is not entirely pleasant. But it has points. The Forest State or The Greenwood State: A Romance, is another pair of shoes. It is my old Semiramis, our half-seen Duke and Duchess, which suddenly sprang into sunshine clearness as a story the other day. The kind, happy dénouement is unfortunately absolutely undramatic, which will be our only trouble in quarrying out the play. I mean we shall quarry from it. Characters—Otto Frederick John, hereditary Prince of Grünwald; Amelia Seraphina, Princess; Conrad, Baron Gondremarck, Prime Minister; Cancellarius Greisengesang; Killian Gottesacker, Steward of the River Farm; Ottilie, his daughter; the Countess von Rosen. Seven in all. A brave story, I swear; and a brave play too, if we can find the trick to make the end. The play, I fear, will have to end darkly, and that spoils the quality as I now see it of a kind of crockery, eighteenth century, high-life-below-stairs life, breaking up like ice in spring before the nature and the certain modicum of manhood of my poor, clever, feather-headed Prince, whom I love already. I see Seraphina too. Gondremarck is not quite so clear. The Countess von Rosen, I have; I’ll never tell you who she is; it’s a secret; but I have known the countess; well, I will tell you; it’s my old Russian friend, Madame Z. Certain scenes are, in conception, the best I have ever made, except for Hester Noble. Those at the end, Von Rosen and the Princess, the Prince and Princess, and the Princess and Gondremarck, as I now see them from here, should be nuts, Henley, nuts. It irks me not to go to them straight. But the Emigrant stops the way; then a reassured scenario for Hester; then the Vendetta; then two (or three) Essays—Benjamin Franklin, Thoughts on Literature as an Art, Dialogue on Character and Destiny between two Puppets, The Human Compromise; and then, at length—come to me, my Prince. O Lord, it’s going to be courtly! And there is not an ugly person nor an ugly scene in it. The Slate both Fanny and I have damned utterly; it is too morbid, ugly, and unkind; better starvation.
R. L. S.
to Sidney Colvin
608 Bush Street, San Francisco, [March 1880].
MY DEAR COLVIN,—My landlord and landlady’s little four-year-old child is dying in the house; and O, what he has suffered. It has really affected my health. O never, never any family for me! I am cured of that.
I have taken a long holiday—have not worked for three days, and will not for a week; for I was really weary. Excuse this scratch; for the child weighs on me, dear Colvin. I did all I could to help; but all seems little, to the point of crime, when one of these poor innocents lies in such misery.—Ever yours,
R. L. S.
to Edmund Gosse
San Francisco, Cal., April 16 [1880].
MY DEAR GOSSE,—You have not answered my last; and I know you will repent when you hear how near I have been to another world. For about six weeks I have been in utter doubt; it was a toss-up for life or death all that time; but I won the toss, sir, and Hades went off once more discomfited. This is not the first time, nor will it be the last, that I have a friendly game with that gentleman. I know he will end by cleaning me out; but the rogue is insidious, and the habit of that sort of gambling seems to be a part of my nature; it was, I suspect, too much indulged in youth; break your children of this tendency, my dear Gosse, from the first. It is, when once formed, a habit more fatal than opium—I speak, as St. Paul says, like a fool. I have been very very sick; on the verge of a galloping consumption, cold sweats, prostrating attacks of cough, sinking fits in which I lost the power of speech, fever, and all the ugliest circumstances of the disease; and I have cause to bless God, my wife that is to be, and one Dr. Bamford (a name the Muse repels), that I have come out of all this, and got my feet once more upon a little hilltop, with a fair prospect of life and some new desire of living. Yet I did not wish to die, neither; only I felt unable to go on farther with that rough horseplay of human life: a man must be pretty well to take the business in good part. Yet I felt all the time that I had done nothing to entitle me to an honourable discharge; that I had taken up many obligations and begun many friendships which I had no right to put away from me; and that for me to die was to play the cur and slinking sybarite, and desert the colours on the eve of the decisive fight. Of course I have done no work for I do not know how long; and here you can triumph. I have been reduced to writing verses for amusement. A fact. The whirligig of time brings in its revenges, after all. But I’ll have them buried with me, I think, for I have not the heart to burn them while I live. Do write. I shall go to the mountains as soon as the weather clears; on the way thither, I marry myself; then I set up my family altar among the pinewoods, 3000 feet, sir, from the disputatious sea.—I am, dear Weg, most truly yours,