DEAR MR. MARCEL SCHWOB,—Thank you for having remembered me in my exile. I have read Mimes twice as a whole; and now, as I write, I am reading it again as it were by accident, and a piece at a time, my eye catching a word and travelling obediently on through the whole number. It is a graceful book, essentially graceful, with its haunting agreeable melancholy, its pleasing savour of antiquity. At the same time, by its merits, it shows itself rather as the promise of something else to come than a thing final in itself. You have yet to give us—and I am expecting it with impatience—something of a larger gait; something daylit, not twilit; something with the colours of life, not the flat tints of a temple illumination; something that shall be said with all the clearnesses and the trivialities of speech, not sung like a semi-articulate lullaby. It will not please yourself as well, when you come to give it us, but it will please others better. It will be more of a whole, more worldly, more nourished, more commonplace—and not so pretty, perhaps not even so beautiful. No man knows better than I that, as we go on in life, we must part from prettiness and the graces. We but attain qualities to lose them; life is a series of farewells, even in art; even our proficiencies are deciduous and evanescent. So here with these exquisite pieces the XVIIth, XVIIIth, and IVth of the present collection. You will perhaps never excel them; I should think the ‘Hermes,’ never. Well, you will do something else, and of that I am in expectation.—Yours cordially,

Robert Louis Stevenson.

to A. St. Gaudens

Vailima, Samoa, July 8, 1894.

MY DEAR ST. GAUDENS,—This is to tell you that the medallion has been at last triumphantly transported up the hill and placed over my smoking-room mantelpiece. It is considered by everybody a first-rate but flattering portrait. We have it in a very good light, which brings out the artistic merits of the god-like sculptor to great advantage. As for my own opinion, I believe it to be a speaking likeness, and not flattered at all; possibly a little the reverse. The verses (curse the rhyme) look remarkably well.

Please do not longer delay, but send me an account for the expense of the gilt letters. I was sorry indeed that they proved beyond the means of a small farmer.—Yours very sincerely,

Robert Louis Stevenson.

to Miss Adelaide Boodle

Vailima, July 14, 1894.

MY DEAR ADELAIDE,—. . . So, at last, you are going into mission work? where I think your heart always was. You will like it in a way, but remember it is dreary long. Do you know the story of the American tramp who was offered meals and a day’s wage to chop with the back of an axe on a fallen trunk. ‘Damned if I can go on chopping when I can’t see the chips fly!’ You will never see the chips fly in mission work, never; and be sure you know it beforehand. The work is one long dull disappointment, varied by acute revulsions; and those who are by nature courageous and cheerful and have grown old in experience, learn to rub their hands over infinitesimal successes. However, as I really believe there is some good done in the long run—gutta cavat lapidem non vi in this business—it is a useful and honourable career in which no one should be ashamed to embark. Always remember the fable of the sun, the storm, and the traveller’s cloak. Forget wholly and for ever all small pruderies, and remember that you cannot change ancestral feelings of right and wrong without what is practically soul-murder. Barbarous as the customs may seem, always hear them with patience, always judge them with gentleness, always find in them some seed of good; see that you always develop them; remember that all you can do is to civilise the man in the line of his own civilisation, such as it is. And never expect, never believe in, thaumaturgic conversions. They may do very well for St. Paul; in the case of an Andaman islander they mean less than nothing. In fact, what you have to do is to teach the parents in the interests of their great-grandchildren.