It is not over the virtues of a curate-and-tea-party novel that people are abashed into high resolutions. It may be because their hearts are crass, but to stir them properly they must have men entering into glory with sonic pomp and circumstance. And that is why these stories of our sea-captains, printed, so to speak, in capitals, and full of bracing moral influence, are more valuable to England than any material benefit in all the books of political economy between Westminster and Birmingham. Greenville chewing wine-glasses at table makes no very pleasant figure, any more than a thousand other artists when they are viewed in the body, or met in private life; but his work of art, his finished tragedy, is an elegant performance; and I contend it ought not only to enliven men of the sword as they go into battle, but send back merchant-clerks with more heart and spirit to their book-keeping by double entry.
It is said that a poet has died young in the breast of the most stolid. ‘It may be contended, rather, that this (somewhat minor) bard in almost every case survives, and is the spice of life to his possessor. Justice is not done to the versatility and the unplumbed childishness of man’s imagination. His life from without may seem but a rude mound of mud; there will be some golden chamber at the heart of it, in which he dwells delighted; and for as dark as his pathway seems to the observer, he will have some kind of a bull’s-eye at his belt.
For, to repeat, the ground of a man’s joy is often hard to hit. It may hinge at times upon a mere accessory, like the lantern; it may reside, like Dancer’s in the mysterious inwards of psychology. It may consist with perpetual failure, and find exercise in the continued chase. It has so little bond with externals (such as the observer scribbles in his notebook) that it may even touch them not; and the man’s true life, for which he consents to live, lie altogether in the field of fancy. The clergyman in his spare hours may be winning battles, the farmer sailing ships, the banker reaping triumph in the arts: all leading another life, plying another trade from that they chose; like the poet’s house-builder, who, after all, is cased in stone,
‘By his fireside, as impotent fancy prompts,
Rebuilds it to his liking.’
In such a case the poetry runs underground. The observer (poor soul, with his documents!) is all abroad. For to look at the man is but to court deception. We shall see the trunk from which he draws his nourishment; but he himself is above and abroad in the green dome of foliage, hummed through by winds and nested in by nightingales. And the true realism were that of the poets, to climb up after him like a squirrel, and catch some glimpse of the heaven for which he lives. And the true realism, always and everywhere, is that of the poets: to find out where joy resides, and give it voice beyond singing.
He who shall pass judgment on the records of our life is the same that formed us in frailty.