“And so you were unco weary of your haystack?” I asked.
“Weary’s nae word for it,” said he. “I’m not just precisely a man that’s easily cast down; but I do better with caller air and the lift above my head. I’m like the auld Black Douglas (wasna’t?) that likit better to hear the laverock sing than the mouse cheep. And yon place, ye see, Davie—whilk was a very suitable place to hide in, as I’m free to own—was pit mirk from dawn to gloaming. There were days (or nights, for how would I tell one from other?) that seemed to me as long as a long winter.”
“How did you know the hour to bide your tryst?” I asked.
“The goodman brought me my meat and a drop brandy, and a candle-dowp to eat it by, about eleeven,” said he. “So, when I had swallowed a bit, it would be time to be getting to the wood. There I lay and wearied for ye sore, Davie,” says he, laying his hand on my shoulder, “and guessed when the two hours would be about by—unless Charlie Stewart would come and tell me on his watch—and then back to the dooms haystack. Na, it was a driech employ, and praise the Lord that I have warstled through with it!”
“What did you do with yourself?” I asked.
“Faith,” said he, “the best I could! Whiles I played at the knucklebones. I’m an extraordinar good hand at the knucklebones, but it’s a poor piece of business playing with naebody to admire ye. And whiles I would make songs.”
“What were they about?” says I.
“O, about the deer and the heather,” says he, “and about the ancient old chiefs that are all by with it lang syne, and just about what songs are about in general. And then whiles I would make believe I had a set of pipes and I was playing. I played some grand springs, and I thought I played them awful bonny; I vow whiles that I could hear the squeal of them! But the great affair is that it’s done with.”
With that he carried me again to my adventures, which he heard all over again with more particularity, and extraordinary approval, swearing at intervals that I was “a queer character of a callant.”