Note.—The time between the acts should be as brief as possible, and the piece played, where it is merely comic, in a vein of patter
MACAIRE
ACT I
The Stage represents the courtyard of the “Auberge des Adrets.” It is surrounded by the buildings of the inn, with a gallery on the first story, approached, C., by a straight flight of stairs. L.C., the entrance doorway. A little in front of this, a small grated office, containing business table, brass-bound cabinet, and portable cash-box. In front, R. and L., tables and benches; one, L., partially laid for a considerable party
SCENE I
Aline and Maids; to whom, Fiddlers; afterwards Dumont and Charles. As the curtain rises, the sound of the violins is heard approaching. Aline and the inn servants, who are discovered laying the table, dance up to door L.C., to meet the Fiddlers, who enter likewise dancing to their own music. Air: “Haste to the Wedding.” The Fiddlers exeunt playing into house, R.U.E. Aline and Maids dance back to table, which they proceed to arrange
Aline. Well, give me fiddles: fiddles and a wedding feast. It tickles your heart till your heels make a runaway match of it. I don’t mind extra work, I don’t, so long as there’s fun about it. Hand me up that pile of plates. The quinces there, before the bride. Stick a pink in the Notary’s glass: that’s the girl he’s courting.
Dumont (entering; with Charles). Good girls, good girls! Charles, in ten minutes from now what happy faces will smile around that board!