By night it was clearer, and Maybole more visible than during the day. Clouds coursed over the sky in great masses; the full moon battled the other way, and lit up the snow with gleams of flying silver; the town came down the hill in a cascade of brown gables, bestridden by smooth white roofs, and spangled here and there with lighted windows. At either end the snow stood high up in the darkness, on the peak of the Tolbooth and among the chimneys of the Castle. As the moon flashed a bull’s-eye glitter across the town between the racing clouds, the white roofs leaped into relief over the gables and the chimney-stacks, and their shadows over the white roofs. In the town itself the lit face of the clock peered down the street; an hour was hammered out on Mr. Geli’s bell, and from behind the red curtains of a public-house some one trolled out—a compatriot of Burns, again!—“The saut tear blin’s my e’e.”
Next morning there were sun and a flapping wind. From the street-corners of Maybole I could catch breezy glimpses of green fields. The road underfoot was wet and heavy—part ice, part snow, part water; and any one I met greeted me, by way of salutation, with “A fine thowe” (thaw). My way lay among rather bleak hills, and past bleak ponds and dilapidated castles and monasteries, to the Highland-looking village of Kirkoswald. It has little claim to notice save that Burns came there to study surveying in the summer of 1777, and there also, in the kirkyard, the original of Tam o’ Shanter sleeps his last sleep. It is worth noticing, however, that this was the first place I thought “Highland-looking.” Over the hill from Kirkoswald a farm-road leads to the coast. As I came down above Turnberry, the sea view was indeed strangely different from the day before. The cold fogs were all blown away; and there was Ailsa Craig, like a refraction, magnified and deformed, of the Bass Rock; and there were the chiselled mountain tops of Arran, veined and tipped with snow; and behind, and fainter, the low, blue land of Cantyre. Cottony clouds stood, in a great castle, over the top of Arran, and blew out in long streamers to the south. The sea was bitten all over with white; little ships, tacking up and down the Firth, lay over at different angles in the wind. On Shanter they were ploughing lea; a cart foal, all in a field by himself, capered and whinnied as if the spring were in him.
The road from Turnberry to Girvan lies along the shore, among sandhills and by wildernesses of tumbled bent. Every here and there a few cottages stood together beside a bridge. They had one odd feature, not easy to describe in words: a triangular porch projected from above the door, supported at the apex by a single upright post; a secondary door was hinged to the post, and could be hasped on either cheek of the real entrance; so, whether the wind was north or south, the cotter could make himself a triangular bight of shelter where to set his chair and finish a pipe with comfort. There is one objection to this device: for, as the post stands in the middle of the fairway, any one precipitately issuing from the cottage must run his chance of a broken head. So far as I am aware, it is peculiar to the little corner of country about Girvan. And that corner is noticeable for more reasons: it is certainly one of the most characteristic districts in Scotland. It has this movable porch by way of architecture; it has, as we shall see, a sort of remnant of provincial costume, and it has the handsomest population in the Lowlands....
[41] William Abercrombie. See Fasti Ecclesiæ Scoticanæ, under “Maybole” (Part iii.).
VIII
FOREST NOTES
(1875-6)