And I have no idea what I have said, and I have no idea what I ought to have said, and I am a total ass, but my heart is in the right place, and I am, my dear Henry James, yours,
R. L. S.
To Marcel Schwob
Vailima, Upolu, Samoa, July 7, 1894.
DEAR MR. MARCEL SCHWOB,—Thank you for having remembered me in my exile. I have read Mimes twice as a whole; and now, as I write, I am reading it again as it were by accident, and a piece at a time, my eye catching a word and travelling obediently on through the whole number. It is a graceful book, essentially graceful, with its haunting agreeable melancholy, its pleasing savoury of antiquity. At the same time, by its merits, it shows itself rather as the promise of something else to come than a thing final in itself. You have yet to give us—and I am expecting it with impatience—something of a larger gait; something daylit, not twilit; something with the colours of life, not the flat tints of a temple illumination; something that shall be said with all the clearnesses and the trivialities of speech, not sung like a semi-articulate lullaby. It will not please yourself as well, when you come to give it us, but it will please others better. It will be more of a whole, more worldly, more nourished, more commonplace—and not so pretty, perhaps not even so beautiful. No man knows better than I that, as we go on in life, we must part from prettiness and the graces. We but attain qualities to lose them; life is a series of farewells, even in art; even our proficiencies are deciduous and evanescent. So here with these exquisite pieces the XVIIth, XVIIIth, and IVth of the present collection. You will perhaps never excel them; I should think the “Hermes,” never. Well, you will do something else, and of that I am in expectation.—Yours cordially,
Robert Louis Stevenson.
To A. St. Gaudens
Vailima, Samoa, July 8, 1894.
MY DEAR ST. GAUDENS,—This is to tell you that the medallion has been at last triumphantly transported up the hill and placed over my smoking-room mantelpiece. It is considered by everybody a first-rate but flattering portrait. We have it in a very good light, which brings out the artistic merits of the god-like sculptor to great advantage. As for my own opinion, I believe it to be a speaking likeness, and not flattered at all; possibly a little the reverse. The verses (curse the rhyme) look remarkably well.
Please do not longer delay, but send me an account for the expense of the gilt letters. I was sorry indeed that they proved beyond the means of a small farmer.—Yours very sincerely,