What a different line of country to be trying to draw Adela, and trying to write the last four chapters of The Wrecker! Heavens, it’s like two centuries; and ours is such rude, transpontine business, aiming only at a certain fervour of conviction and sense of energy and violence in the men; and yours is so neat and bright and of so exquisite a surface! Seems dreadful to send such a book to such an author; but your name is on the list. And we do modestly ask you to consider the chapters on the Norah Creina with the study of Captain Nares, and the forementioned last four, with their brutality of substance and the curious (and perhaps unsound) technical manœuvre of running the story together to a point as we go along, the narrative becoming more succinct and the details fining off with every page.—Sworn affidavit of
R. L. S.
No person now alive has beaten Adela: I adore Adela and her maker. Sic subscrib.
Robert Louis Stevenson.
A Sublime Poem to follow.
| Adela, Adela, Adela Chart, What have you done to my elderly heart? Of all the ladies of paper and ink I count you the paragon, call you the pink. The word of your brother depicts you in part: “You raving maniac!” Adela Chart; But in all the asylums that cumber the ground, So delightful a maniac was ne’er to be found. I pore on you, dote on you, clasp you to heart, I laud, love, and laugh at you, Adela Chart, And thank my dear maker the while I admire That I can be neither your husband nor sire. Your husband’s, your sire’s were a difficult part; You’re a byway to suicide, Adela Chart; But to read of, depicted by exquisite James, O, sure you’re the flower and quintessence of dames. |
R. L. S.
Eructavit cor meum
My heart was inditing a goodly matter about Adela Chart.