Forest of Montargis, 1878.
III—THE CANOE SPEAKS
On the great streams the ships may go
About men’s business to and fro.
But I, the egg-shell pinnace, sleep
On crystal waters ankle-deep:
I, whose diminutive design,
Of sweeter cedar, pithier pine,
Is fashioned on so frail a mould,
A hand may launch, a hand withhold:
I, rather, with the leaping trout
Wind, among lilies, in and out;
I, the unnamed, inviolate,
Green, rustic rivers, navigate;
My dipping paddle scarcely shakes
The berry in the bramble-brakes;
Still forth on my green way I wend
Beside the cottage garden-end;
And by the nested angler fare,
And take the lovers unaware.
By willow wood and water-wheel
Speedily fleets my touching keel;
By all retired and shady spots
Where prosper dim forget-me-nots;
By meadows where at afternoon
The growing maidens troop in June
To loose their girdles on the grass.
Ah! speedier than before the glass
The backward toilet goes; and swift
As swallows quiver, robe and shift
And the rough country stockings lie
Around each young divinity.
When, following the recondite brook,
Sudden upon this scene I look,
And light with unfamiliar face
On chaste Diana’s bathing-place,
Loud ring the hills about and all
The shallows are abandoned. . . .
IV
It is the season now to go
About the country high and low,
Among the lilacs hand in hand,
And two by two in fairy land.
The brooding boy, the sighing maid,
Wholly fain and half afraid,
Now meet along the hazel’d brook
To pass and linger, pause and look.
A year ago, and blithely paired,
Their rough-and-tumble play they shared;
They kissed and quarrelled, laughed and cried,
A year ago at Eastertide.
With bursting heart, with fiery face,
She strove against him in the race;
He unabashed her garter saw,
That now would touch her skirts with awe.
Now by the stile ablaze she stops,
And his demurer eyes he drops;
Now they exchange averted sighs
Or stand and marry silent eyes.
And he to her a hero is
And sweeter she than primroses;
Their common silence dearer far
Than nightingale and mavis are.