But, perhaps, his characteristic attitude to war is to be found, not in lines like these, but in that melancholy poem, The Souls of the Slain, in which the souls of the dead soldiers return to their country and question a "senior soul-flame" as to how their friends and relatives have kept their doughty deeds in remembrance:—
"And, General, how hold out our sweethearts,
Sworn loyal as doves?"
"Many mourn; many think
It is not unattractive to prink
Them in sable for heroes. Some fickle and fleet hearts
Have found them new loves."
"And our wives?" quoth another, resignedly,
"Dwell they on our deeds?"
"Deeds of home; that live yet
Fresh as new—deeds of fondness or fret,
Ancient words that were kindly expressed or unkindly,
These, these have their heeds."
Mr. Hardy has too bitter a sense of reality to believe much in the glory of war. His imagination has always been curiously interested in soldiers, but that is more because they have added a touch of colour to the tragic game of life than because he is on the side of the military show. One has only to read The Dynasts along with Barrack-room Ballads to see that the attitude of Mr. Hardy to war is the attitude of the brooding artist in contrast with that of the music-hall politician. Not that Mr. Kipling did not tell us some truths about the fate of our fellows, but he related them to an atmosphere that savoured of beer and tobacco rather than of eternity. The real world to Mr. Hardy is the world of ancient human things, in which war has come to be a hideous irrelevance. That is what he makes emphatically clear in In the Time of the Breaking of Nations:—
Only a man harrowing clods
In a slow silent walk
With an old horse that stumbles and nods
Half asleep as they stalk.
Only thin smoke without flame
From the heaps of couch grass:
Yet this will go onward the same
Though Dynasties pass.
Yonder a maid and her wight
Come whispering by;
War's annals will fade into night
Ere their story die
It may be thought, on the other hand, that Mr. Hardy's poems about war are no more expressive of tragic futility than his poems about love. Futility and frustration are ever-recurring themes in both. His lovers, like his soldiers, rot in the grave defeated of their glory. Lovers are always severed both in life and in death:—
Rain on the windows, creaking doors,
With blasts that besom the green,
And I am here, and you are there,
And a hundred miles between!
In Beyond the Last Lamp we have the same mournful cry over severance. There are few sadder poems than this with its tristful refrain, even in the works of Mr. Hardy. It is too long to quote in full, but one may give the last verses of this lyric of lovers in a lane:—