It may be contended that in The Perfume he was describing an imaginary experience, and indeed we have his own words on record: “I did best when I had least truth for my subjects.” But even if we did not accept Mr. Gosse’s common-sense explanation of these words, we should feel that the details of the story have a vividness that springs straight from reality. It is difficult to believe that Donne had not actually lived in terror of the gigantic manservant who was set to spy on the lovers:
The grim eight-foot-high iron-bound serving-man
That oft names God in oaths, and only then;
He that to bar the first gate doth as wide
As the great Rhodian Colossus stride,
Which, if in hell no other pains there were,
Makes me fear hell, because he must be there.
But the most interesting of all the sensual intrigues of Donne, from the point of view of biography, especially since Mr. Gosse gave it such commanding significance in that Life of John Donne in which he made a living man out of a mummy, is that of which we have the story in Jealousy and His Parting from Her. It is another story of furtive and forbidden love. Its theme is an intrigue carried on under a
Husband’s towering eyes,
That flamed with oily sweat of jealousy.