Figure 21.—The first widespread use of electricity in the elevator field was to drive
belt-type mechanical machines and the pumps of hydraulic systems (see p. [14]) as shown here.
(From Electrical World, Jan. 4, 1890, vol. 15, p. 4.)

The Tower’s Elevators

A great part of the Eiffel Tower’s worth and its raison d’être lay in the overwhelming visual power by which it was to symbolize to a world audience the scientific, artistic, and, above all, the technical achievements of the French Republic. Another consideration, in Eiffel’s opinion, was its great potential value as a scientific observatory. At its summit grand experiments and observations would be possible in such fields as meteorology and astronomy. In this respect it was welcomed as a tremendous improvement over the balloon and steam winch that had been featured in this service at the 1878 Paris exposition. Experiments were also to be conducted on the electrical illumination of cities from great heights. The great strategic value of the Tower as an observation post also was recognized. But from the beginning, sight was never lost of the structure’s great value as an unprecedented public attraction, and its systematic exploitation in this manner played a part in its planning, second perhaps only to the basic design.

[Larger Image]
Figure 22.—Various levels of the Eiffel Tower.
(Adapted from Gustave Eiffel,
La Tour de Trois Cents Mètres,
Paris, 1900, pl. 1.)

The conveyance of multitudes of visitors to the Tower’s first or main platform and a somewhat lesser number to the summit was a technical problem whose seriousness Eiffel must certainly have been aware of at the project’s onset. While a few visitors could be expected to walk to the first or possibly second stage, 377 feet above the ground, the main means of transport obviously had to be elevators. Indeed, the two aspects of the Tower with which the Exposition commissioners were most deeply concerned were the adequate grounding of lightning and the provision of a reliable system of elevators, which they insisted be unconditionally safe.

To study the elevator problem, Eiffel retained a man named Backmann who was considered an expert on the subject. Apparently Backmann originally was to design the complete system, but he was to prove inadequate to the task. As his few schemes are studied it becomes increasingly difficult to imagine by what qualifications he was regarded as either an elevator expert or designer by Eiffel and the Commission. His proposals appear, with one exception, to have been decidedly retrogressive, and, further, to incorporate the most undesirable features of those earlier systems he chose to borrow from. Nothing has been discovered regarding his work, if any, on elevators for the lower section of the Tower. Realizing the difficulty of this aspect of the problem, he may not have attempted its solution, and confined his work to the upper half where the structure permitted a straight, vertical run.

The Backmann design for the upper elevators was based upon a principle which had been attractive to many inventors in the mid-19th century period of elevator development—that of “screwing the car up” by means of a threaded element and a nut, either of which might be rotated and the other remain stationary. The analogy to a nut and bolt made the scheme an obvious one at that early time, but its inherent complexity soon became equally evident and it never achieved practical success. Backmann projected two cylindrical cars that traveled in parallel shafts and balanced one another from opposite ends of common cables that passed over a sheave in the upperworks. Around the inside of each shaft extended a spiral track upon which ran rollers attached to revolving frames underneath the cars. When the frames were made to revolve, the rollers, running around the track, would raise or lower one car, the other traveling in the opposite direction ([fig. 23]).