The plan to use a uniform scale of reduction throughout, in order to facilitate the viewers’ interpretation, unfortunately proved impractical, due to the great difference in the amount of area to be encompassed in different models, and the necessity that the cases holding them be of uniform height. The related models of the Broadway and Tower Subways represent short sections of tunnels only 8 feet or so in diameter enabling a relatively large scale, 1½ inches to the foot, to be used. Conversely, in order that the model of Brunel’s Thames Tunnel be most effective, it was necessary to include one of the vertical terminal shafts used in its construction. These were about 60 feet in depth, and thus the much smaller scale of ¼ inch to the foot was used. This variation is not as confusing as might be thought, for the human figures in each model provide an immediate and positive sense of proportion and scale.
Careful thought was devoted to the internal lighting of the models, as this was one of the critical factors in establishing, so far as is possible in a model, an atmosphere convincingly representative of work conducted solely by artificial light. Remarkable realism was achieved by use of plastic rods to conduct light to the tiny sources of tunnel illumination, such as the candles on the miners’ hats in the Hoosac Tunnel, and the gas lights in the Thames Tunnel. No overscaled miniature bulbs, generally applied in such cases, were used. At several points where the general lighting within the tunnel proper has been kept at a low level to simulate the natural atmosphere of the work, hidden lamps can be operated by push-button in order to bring out detail which otherwise would be unseen.
The remainder of the material in the Museum’s tunneling section further extends the two major aspects of tunneling. Space limitations did not permit treatment of the many interesting ancillary matters vital to tunnel engineering, such as the unique problems of subterranean surveying, and the extreme accuracy required in the triangulation and subsequent guidance of the boring in long mountain tunnels; nor the difficult problems of ventilating long workings, both during driving and in service; nor the several major methods developed through the years for driving or constructing tunnels in other than the conventional manner. [1]
While the art of tunneling soft ground is of relatively recent origin, that of rock tunneling is deeply rooted in antiquity. However, the line of its development is not absolutely direct, but is more logically followed through a closely related branch of technology—mining. The development of mining techniques is a practically unbroken one, whereas there appears little continuity or relationship between the few works undertaken before about the 18th century for passage through the earth.
The Egyptians were the first people in recorded history to have driven openings, often of considerable magnitude, through solid rock. As is true of all major works of that nation, the capability of such grand proportion was due solely to the inexhaustible supply of human power and the casual evaluation of life. The tombs and temples won from the rock masses of the Nile Valley are monuments of perseverance rather than technical skill. Neither the Egyptians nor any other peoples before the Middle Ages have left any consistent evidence that they were able to pierce ground that would not support itself above the opening as would firm rock. In Egypt were established the methods of rock breaking that were to remain classical until the first use of gun-powder blasting in the 17th century which formed the basis of the ensuing technology of mining.
Notwithstanding the religious motives which inspired the earliest rock excavations, more constant and universal throughout history has been the incentive to obtain the useful and decorative minerals hidden beneath the earth’s surface. It was the miner who developed the methods introduced by the early civilizations to break rock away from the primary mass, and who added the refinements of subterranean surveying and ventilating, all of which were later to be assimilated into the new art of driving tunnels of large diameter. The connection is the more evident from the fact that tunnelmen are still known as miners.
COPPER MINING, B.C.
Therefore, the first model of the sequence, reflecting elemental rock-breaking techniques, depicts a hard-rock copper mine ([fig. 1]). Due to the absence of specific information about such works during the pre-Christian eras, this model is based on no particular period or locale, but represents in a general way, a mine in the Rio Tinto area of Spain where copper has been extracted since at least 1000 B.C. Similar workings existed in the Tirol as early as about 1600 B.C. Two means of breaking away the rock are shown: to the left is the most primitive of all methods, the hammer and chisel, which require no further description. At the right side, the two figures are shown utilizing the first rock-breaking method in which a force beyond that of human muscles was employed, the age-old “fire-setting” method. The rock was thoroughly heated by a fierce fire built against its face and then suddenly cooled by dashing water against it. The thermal shock disintegrated the rock or ore into bits easily removable by hand.