When a child is born, the Hindus light fires to frighten demons; and for the same reason lamps are swung to and fro at weddings, and fire is carried before the dead body at a funeral.[119]
Devout Brahmins keep a fire constantly burning in their houses and worship it daily, expecting thereby to secure for themselves good fortune. The origin of the respect accorded to fire among these people has been attributed to its potency in alleviating or curing certain diseases,[120] as, for example, when applied in the actual cautery, or by means of the moxa; for, wherever a belief exists in demoniacal possession as the cause of bodily disorders, the cure of the latter is evidence that the malignant spirits have been put to flight.
The fire-worshiping Parsees also keep a fire continuously in the lying-in room; and when a child is ailing from any cause, they fasten to its left arm a magical charm of written words prepared by a priest, exorcising the evil spirits in the name of their chief deity, Ormuzd, and “binding them by the power and beauty of fire.”[121]
On the birth of a child among the Khoikhoi of south Africa a household fire is kindled, which is maintained until the healing of the child’s navel; and when a member of the tribe goes a-hunting, his wife is careful to keep a fire burning indoors; for, if it were allowed to go out, the husband would have no luck.[122]
The conception of a mediæval smith as a master and controller of fire was embodied in a group of figures modeled by the Austrian sculptor, Karl Bitter, and placed at the southern entrance of the Administration Building at the World’s Fair, Chicago, in 1893. This group, which was called “Fire Controlled,” consisted of a female figure, whose uplifted right hand carried a torch, while at her feet stood a brawny smith resting a sledge hammer upon the prostrate form of a fire demon.
Above this group stood a single figure, by the same artist, representing a blacksmith standing at his anvil, with hammer resting against it, and in his belt hung a pair of pincers. In his left hand was a horse-shoe, which he was examining.[123]
IX. THE SERPENTINE SHAPE OF THE HORSE-SHOE
The theory has been advanced that in ancient idolatrous times the horse-shoe in its primitive form was a symbol in serpent-worship, and that its superstitious use as a charm may have thus originated. This seems plausible enough, inasmuch as there is a resemblance between the horse-shoe and the arched body of the snake, when the latter is so convoluted that its head and tail correspond to the horse-shoe prongs.
Both snakes and horse-shoes were anciently engraved on stones and medals, presumably as amuletic symbols;[124] and in front of a church in Crendi, a town in the southern part of the island of Malta, there is to be seen a statue having at its feet a protective symbol in the shape of a half moon encircled by a snake.