The Indians of Nootka Sound, Vancouver Island, attribute physical ailments either to the absence or irregular conduct of the soul, or to the agency of spirits, and medical practice is governed accordingly; therefore the Okanogons of the State of Washington subject patients affected with serious illnesses to the magical treatment of the medicine-man.[378]
The islanders of the South Pacific have their own doctrine about the philosophy of sneezing. They believe that, when the spirit goes traveling about, its return naturally occasions some commotion, as is evident from the violent act of sneezing. They therefore deem it proper to welcome back the wandering spirit, the form of greeting varying in the different islands. The phrase employed by the natives of Raratonga, for example, means “Ha! you have come back!”[379]
The “Sadda,” one of the sacred books of the Parsees, counsels the faithful to have recourse to prayer when they sneeze, because at that critical moment the demon is especially active.
The Parsees regard sneezing as a manifestation that the evil spirits, who are constantly seeking to enter the body, have been forcibly expelled by the interior fire which, in their belief, animates every human being. When, therefore, a Parsee hears any one sneeze, he exclaims, “Blessed be Ormuzd!” thus praising his chief deity. The Parsees are forbidden to talk while eating, because at such times demons are on the alert, watching for opportunities to gain admission to the body through the mouth while a person is engaged in conversation.[380]
Pious Brahmins are careful to touch the right ear when they happen to sneeze either during the performance of a religious ceremony or at certain other times specified in the “Shastra,” or holy books of the Hindus. Evil spirits were believed to enter the body through the ears, as well as by the nose or mouth, and the object of touching the ear was to prevent their gaining admission there.
In reference to this subject, Gerald Massey says, in the “Natural Genesis” (vol. i. pp. 83-85):—
Sneezing is not only a vigorous form of breathing, but it is involuntary; hence inspired, or of extraordinary origin. A hearty sneeze, when one is ill and faint, would imply a sudden accession of the breathing power, which was inwardly inspiring and outwardly expelling. The good spirit enters and the bad spirit departs, cast out by the sudden impulsion. The expulsion and repudiation implied in sneezing is yet glanced at in the saying that such a thing is “not to be sneezed at.”
The natives of Turkistan consider yawning to be a reprehensible act, originating from an evil place in one’s heart, and indicative of a state of preparedness for the reception of demons. When, therefore, they yawn, the hand is placed, palm outwards, before the open mouth, thus barring out the demons.[381]
The once popular opinion, which is still met with to-day, that the efficacy of a medicine is proportionate to its harshness of flavor, is probably a relic of the ancient theory which attributed illnesses to possession by evil spirits. When one’s body was believed to be the abode of such a spirit, the natural desire was to drive out the unwelcome visitor, and to force him to seek some other habitation. Nowadays we have so far abandoned this theory that, while we may have faith in the virtues of bitter herbs, we are ready to welcome also the palatable remedies of the modern pharmacopœia; but until comparatively recent times the science of therapeutics was dominated by superstition, and physicians prescribed remedies composed of the most repulsive and uncanny ingredients.
In Tibet antiseptics are employed in surgical operations, the rationale of their use in that country being the preservation of the wound from evil spirits; and when smallpox rages in the neighborhood of the city of Leh, capital of the province of Ladakh, the country people seek to ward off the epidemic by placing thorns on their bridges and at their boundary lines.[382] This practice is strikingly analogous in principle to some of the superstitious uses of iron and steel in the form of sharp instruments, of which mention has been made elsewhere in this volume.