"A restless Indian queen,
Pale Marian with the braided hair,"

may wander at night by some highly-favoured spring; perhaps some tall and tawny hunter,

"In vestments for the chase array'd,"

may yet hunt the hart over certain distinguished ridges, or urge his barken canoe over some cypress-fringed pool; but all other places are left to the fancies of the utilitarian. A Greek would have invented a god, to dwell under the watery arch of Niagara; an American is satisfied with a paper-mill, clapped just above it.

The fair ladies of Hawk-Hollow were no more troubled with the absence of poetic association in their lovely retreat, than any of their countrymen would have been; as was plainly shown by the first words pronounced by Miss Falconer, after taking possession of a sort of arm-chair among the sycamore roots.

"This is a place, my mannikin," said she, bending her head majestically towards her kinswoman, whose seat was not so elevated,—"this is a place where one may think comfortably of murdering, whooping, scalping, and such sort of matters; and its solemnity will therefore give a degree of point to the story. Come, begin; I am all ears—that is, metaphorically speaking; though a viler metaphor, to come from men of rational imagination, could not have been invented. I tell you, Kate, I am dying with curiosity about these terrible Hawks; and as I know, you know something, I am determined you shall resuscitate me, in lack of a better physician, with such information as you have. No excuses—I know them all by heart, you have repeated them over so often. I declare upon my jockey-like word, that here I sit, as fixed as the very roots around me, and as immoveable; and here I will sit, until you surrender your scruples, and open your mouth, though I should remain until washed away by the next fresh. I am positive; my will is as inflexible as the laws of the Medes and Persians."

"You have mistaken me, Harriet," said the other, bending her eyes upon the stream; "I know nothing of the matter.—That I have heard many idle whispers, hints, and innuendoes, is true; but there is neither wisdom nor propriety in repeating them, particularly to you.—But is not this the most charming place in the world? Do you know, I have determined upon the spot I am to be buried in? It is further up the river, where three lime-trees grow together; behind them is a rock, covered with laurels, wild roses, and columbines; and there is such an array of azaleas below, with blood-roots, and wind-flowers, and dogwood, as has half-turned my brain. Can you tell me, Hal, why I should be ever thinking of a grave, when I stumble upon such pretty places? It is always the first thought."

As Catherine spoke, she turned her eyes with much simplicity and earnestness of expression, upon her companion's face; and though it was evident, she had introduced the subject, for the purpose of diverting the conversation from the channel in which Miss Falconer desired to have it flow, it was equally plain, that it had already taken hold upon her imagination, and now occupied her mind alone. As she looked up, with such a thought at her bosom, it imparted a character of melancholy to her countenance, which, although not her natural and original expression, circumstances had made, of late, much more common than any other. Her face was the sweetest oval in the world, her features very regular and pretty, the hue of her complexion less brilliant than might have been expected in one with such light locks, but of a pleasant healthy tone, and her eyes, without being bright or striking, were so singularly earnest of expression, with a certain vague anxiety, or imploringness, mingled up with every look, as to seldom fail of interesting the feelings of the beholder in her favour. Besides, her brow, from which the hair was parted in the simplest and easiest manner, was particularly smooth and beautiful; and whatever might have been the depth of her melancholy, this noble feature lost nothing of its serenity. Indeed, when sadness dwelt upon her spirit, it seldom produced a change in any part of the countenance except the eyes; and it was in these alone, at the present moment, that emotion was betrayed by the change from the merry brightness which the events of the afternoon had thrown into them, to that appealing, anxious expression, already described. It must be added to this description that her voice was, if possible, even more strikingly expressive than her eyes. It was with her as with the Faerie Queene; always,

"When she spake,
Sweete wordes, like dropping honny, she did shed;
And 'twixt the perles and rubins softly brake
A silver sound:"

every exertion was characterized by some appropriate and harmonious change; her joyous spirits broke out with such sweet and jocund sounds as come from tinkling bells; and when sadness was at her heart, her accents were such murmurs of subdued and contagious melancholy as the wood-pigeon breathes from the depths of the forest.