Fig. 190.—Bronze Knife (13).

It is not, however, to be supposed that I claim all the multifarious objects found in the débris of the lake-dwellings as products of native art; on the contrary, I believe there are many objects, especially the more complicated and ornamental, which can be traced to foreign sources. But on the other hand the mere inspection of the extensive assortment of foundry materials, especially the variety of moulds which include swords (B. 282, Pl. liv. Fig 2, and B. 392, Pl. xxix. Fig. 11), daggers, spears, knives, sickles, all kinds of celts and chisels, bracelets, buckles, pins, rings, wheels, etc., leaves no doubt that the home industry in the manufacture of bronze was extensive and skilfully conducted. Indeed, the skill and ingenuity displayed in casting such a variety of objects can only excite our astonishment. How the series of involved and massive rings of cast bronze represented on [Fig. 10], No. 1, was produced, is really a mystery. A model of such an object made of wax if embedded in soft clay, and subsequently hardened by exposure to heat so as to melt the wax and thus allow it to escape, might supply the founder with the requisite mould. But that this was the method adopted by the lacustrian founder is, of course, a mere conjecture.

Fig. 191.—Bridle-Bits, Horse Trappings, etc. All 13 real size.

That the horse was now domesticated and under the control of the lake-dwellers we have very circumstantial evidence in the discovery of bridle-bits, various ornaments for harness, and even a wheel and other mountings of a chariot or biga. For many years some curious and highly polished portions of horn from 4 to 7 inches in length, and perforated with three or more holes, one in the centre and the other at the extremities, were among the unexplained relics of the Bronze Age stations ([Fig. 191], Nos. 3 and 4). The holes in these objects had a worn appearance, and it was noticed that the direction of the central aperture was always at right angles to those at the extremities. Their use however, remained a complete puzzle till the year 1872, when a remarkably fine and well preserved horse-bit of bronze was discovered at Moeringen (No. 7). The similarity of these horn objects to the side pieces of the bronze bit led to the conjecture that they were the analogous parts of horse-bits made of horn. The subsequent discovery of several other bronze bits, all of the same type, gradually strengthened this opinion; but whatever doubt might remain as to their function is now dispelled by the discovery at Corcelettes, in 1888, of a complete specimen made of two tines of staghorn with a transverse mouthpiece of bone (No. 1). Of the bronze bridle-bits found up to this time only three are entire, but there are several isolated side and centre pieces from the stations of Nidau, Moeringen, Auvernier, Corcelettes, and Estavayer (Nos. 5, 6, and 9). It will be observed that all the examples here figured (which include the most diverse forms), though differing in some details, are of the same type. The only marked difference in the two entire specimens is that one (No. 7) has the mouthpiece divided in the middle, whereas the other (No. 8) is one solid piece. This latter was found at Corcelettes and is now in the Lausanne Museum. The third entire specimen, which was also found at Corcelettes, appears from its illustration (B. 462) to be identical with No. 8.

According to Dr. Gross, No. 7 was made in one casting, thus proving the perfection to which bronze working was carried. All these specimens of horse-bits, so far as can be judged from the breadth of the mouthpiece, indicate very small horses, No. 7 being 3½ inches between the side pieces, and No. 8 rather less than 4 inches.

The entire bridle-bit of horn is even still smaller, being only 2¾ inches wide. It is thus described by Dr. Brière (B. 461):—

"Cette intéressante pièce, en parfait état de conservation, se compose de 2 branches en bois de cerf, percées chacune de 3 trous evidées à la partie supérieure sur un profondeur de 3 centimètres et mesurant 18 centimètres de longeur, reliées entre' elles par la barre du mors qui est en os et mesure exactement 7 centimètres entre les 2 branches. Cette barre en os est creuse et pour assujettir la pièce aux branches, on a enfoncé de petits coins en corne de cerf pour combler le vide et pour la rendre solide."—Antiqua, 1888, p. 37.