This plan would obviate the difficulty he had anticipated of finding a suitable night's lodging for his prisoner. As the next day would be the fifth and last of his flight, that difficulty would not recur after to-night. He saw, with elation, the end of his mission at hand; and at the same time, with a feeling of blankness and chill, the end of his fellowship with Mistress Hazlehurst. But meanwhile there was the immediate future, for which he thus arranged:

He learned from Oliver Bunch that there was an inn some distance beyond where the park path joined the highroad. To that inn he sent Anthony Underhill for provisions. Going and returning by the park way, which the travellers would use in a hasty flight, the Puritan would meet them in case of such flight during his absence.

Marryott then set his men to fetching logs and making fires: one in the great hall, for the benefit of the injured robbers; one in an upper chamber that he chose, upon Oliver's description, for Mistress Hazlehurst's use; and a third in the large room from which this chamber had its only entrance.

Guided by Oliver, Hal conducted his unresisting prisoner up the stairs, thence through a corridor that made a rectangular turn, thence into the large room, and to the threshold of her chamber. He gave permission, unasked, that Francis might wait upon her, but stationed Tom Cobble in the large room with instructions to follow the Page_wherever the latter went outside her chamber, and to restrict his movements to the house itself. Having heard these orders and made no comment, Mistress Hazlehurst beckoned the Page_to follow, and disappeared into the chamber.

Hal had chosen as his own resting-place the large outer room. It was in the same wing with the turret to which he had sent Kit Bottle to keep watch. Perceiving that the great embayed window of the room gave as good a view of the southward road as the turret itself could give, Hal summoned Kit, and sent him to stay with the robbers in the hall below. The captain might sleep, if he chose; he had kept vigil the previous night. Hal would now watch from the window, until Anthony's return; then the Puritan should go on guard.

Tom Cobble sat, half asleep, on a chest at one side of the door to Mistress Hazlehurst's chamber. Marryott reclined on the window-seat, looking now through the casement at the snow-covered, rolling, grove-dotted country; now at the blazing, crackling logs in the fireplace opposite; now at the tapestry, which sometimes stirred in the wind that entered by cracks of door and window. The room was well furnished, as indeed most of the house was, for its occupants, whatever the cause of their flight from the country, had valued haste above property. They had not even taken all their trunks; for one of these stood in the room as a piece of furniture, in accordance with the custom of the time. This apartment had probably served as a ladies' room. It had a case of books; a table on which were some scattered playing-cards, and a draughts-board with the pieces in the position of an unfinished game; and another table, on which lay an open virginal, a viol, and smaller musical instruments. The chairs were heavy and solid. Overhead was visible the timber work of the roof.

Marryott went and examined the viol, and, returning to the window-seat, drew from it a few tremulous strains. As he was adjusting the strings, he heard a sound at the end of the apartment, looked up, and saw, to his surprise, that Mistress Hazlehurst was returning. Francis followed her. Her face showed the refreshing effect of the cold water with which Oliver had supplied her room. Hal watched her in silence.

Motioning Francis to sit by the fire, she crossed to the music-table, sat down before it, and touched the keys of the virginal. The response showed the work of weather and neglect upon the instrument; but after twice or thrice running her fingers up and down the short keyboard, she elicited the notes of a soft and pensive melody.

After a while of silent listening, Marryott gently took up the melody upon his viol. For an instant he was fearful that she might break off at this, but she played on, at first as if not heeding his uninvited participation, and at last accommodating her own playing, where the effect required, to his.

From one tune they went to another, and then to a third and fourth. At first it was she that led in the transition; but, at length, having ventured with some trepidation to pass, of his own initiative, from one piece to another, he had the delight of being immediately accompanied by her. There was in her first note, it was true, an instant's dragging, as if she hesitated under the protest of certain feelings, but finally the yielding was complete, the accompaniment in perfect accord. Thereafter it was he that led, she that followed.