The second act of “William Tell” had ended at the Grand Opera House. The incandescent lights of ceiling and proscenium flashed up, showering radiance upon the vast surface of summer costumes and gay faces in the auditorium. The audience, relieved of the stress of attention, became audible in a great composite of chatter. A host streamed along the aisles into the wide lobbies, and thence its larger part jostled through the front doors to the brilliantly illuminated vestibule. Many passed on into the wide sidewalk, where the electric light poured its rays upon countless promenaders whose footfalls incessantly beat upon the aural sense. Scores of bicyclists of both sexes sped over the asphalt up and down, some now and then deviating to make way for a lumbering yellow 'bus or a hurrying carriage.
Men and women, young people composing the majority, strolled to and fro in the roomy lobby that environs the auditorium on all sides save that of the stage. A group of enthusiasts stood between the rear door of the box-office and the wide entrance to the long middle aisle.
“How magnificently Guille held that last note!”
“What good taste and artistic sense Madame Kronold has!”
“Del Puente hasn't been in better voice in years.”
“But you know, Mademoiselle Islar is decidedly a lyric soprano.”
These were some of the scraps of the conversation of that group. A lithe, athletic-looking man of thirty stood mechanically listening to them, as he stroked his black moustache. He was in summer attire, evidently disdaining conventionalities, preferring comfort.
Suddenly losing interest in the conversation in his vicinity, he started toward the Montgomery Avenue side of the lobby, with the apparent intention of breathing some outside air at one of the wide-barred exits, where children stood looking in from the sidewalk, and catching what glimpses they could of the audience through the doorways in the glass partition bounding the auditorium.
He by chance cast his glance up the unused staircase leading to the balcony from the northern part of the lobby. He saw upon the third step a young woman in a dark flannel outing-dress, her face concealed by a veil. She seemed to be watching some one among those who stood or moved near the Montgomery Avenue exits, which had wire barriers.
“By Jove!” he said, within himself, “surely I know that figure! But I thought she had gone to the Catskills, and I never supposed her capable of wearing negligee clothes at the theatre. There can be no mistaking that wrist, though, or that turn of the shoulders.”